{"title":"何塞-萨拉马戈妥协演说中的犹大-伊斯卡里奥特","authors":"Vanda Fernandes","doi":"10.17990/rph/2023_27_1_131","DOIUrl":null,"url":null,"abstract":"Saramago’s writing, repeatedly analytical and self-referential, dialogues seductively with the cultural universe of the Western reader, with biblical and apocryphal narratives. The figure of Judas, whether in poetry or in The Gospel According to Jesus Christ, allows José Saramago to desacralize the ambitious and tyrannical gods and to deify man, in a committed discourse, simultaneously marked by the ethics of love and compassion for the Other.","PeriodicalId":115624,"journal":{"name":"Revista Portuguesa de Humanidades","volume":"68 9","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Judas Iscariote no discurso comprometido de José Saramago\",\"authors\":\"Vanda Fernandes\",\"doi\":\"10.17990/rph/2023_27_1_131\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Saramago’s writing, repeatedly analytical and self-referential, dialogues seductively with the cultural universe of the Western reader, with biblical and apocryphal narratives. The figure of Judas, whether in poetry or in The Gospel According to Jesus Christ, allows José Saramago to desacralize the ambitious and tyrannical gods and to deify man, in a committed discourse, simultaneously marked by the ethics of love and compassion for the Other.\",\"PeriodicalId\":115624,\"journal\":{\"name\":\"Revista Portuguesa de Humanidades\",\"volume\":\"68 9\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-12-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Revista Portuguesa de Humanidades\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.17990/rph/2023_27_1_131\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Revista Portuguesa de Humanidades","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.17990/rph/2023_27_1_131","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Judas Iscariote no discurso comprometido de José Saramago
Saramago’s writing, repeatedly analytical and self-referential, dialogues seductively with the cultural universe of the Western reader, with biblical and apocryphal narratives. The figure of Judas, whether in poetry or in The Gospel According to Jesus Christ, allows José Saramago to desacralize the ambitious and tyrannical gods and to deify man, in a committed discourse, simultaneously marked by the ethics of love and compassion for the Other.
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