"不要挖掘墓地":克罗地亚本土战争的文化表征

IF 0.4 Q3 AREA STUDIES
Nikolina Židek
{"title":"\"不要挖掘墓地\":克罗地亚本土战争的文化表征","authors":"Nikolina Židek","doi":"10.30965/18763332-47020006","DOIUrl":null,"url":null,"abstract":"<p>This article fills the gap on the research of memory of the Croatian War of Independence (1991–1995) in film and theatre and demonstrates that so far the arts have been the main channel of the emancipatory narrative, challenging the mainstream collective memory of a victim and victorious nation and serving as a space of fostering debate on the country’s recent past. The article focuses on the cultural representation of the war in Croatia in the last decade, since Croatian accession to the EU, while paying special attention to the reactions of the wider audience to such works, especially the key mnemonic actors, such as the war veterans and the nationalist politicians. The results show that even though theatre and film offer counter-narratives on the Homeland War and spur and spark the debate, it is yet to be seen if they can lead to a wider discussion in the society.</p>","PeriodicalId":43126,"journal":{"name":"SOUTHEASTERN EUROPE","volume":null,"pages":null},"PeriodicalIF":0.4000,"publicationDate":"2023-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"“Don’t Dig in the Graveyard”: The Cultural Representations of the Homeland War in Croatia\",\"authors\":\"Nikolina Židek\",\"doi\":\"10.30965/18763332-47020006\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<p>This article fills the gap on the research of memory of the Croatian War of Independence (1991–1995) in film and theatre and demonstrates that so far the arts have been the main channel of the emancipatory narrative, challenging the mainstream collective memory of a victim and victorious nation and serving as a space of fostering debate on the country’s recent past. The article focuses on the cultural representation of the war in Croatia in the last decade, since Croatian accession to the EU, while paying special attention to the reactions of the wider audience to such works, especially the key mnemonic actors, such as the war veterans and the nationalist politicians. The results show that even though theatre and film offer counter-narratives on the Homeland War and spur and spark the debate, it is yet to be seen if they can lead to a wider discussion in the society.</p>\",\"PeriodicalId\":43126,\"journal\":{\"name\":\"SOUTHEASTERN EUROPE\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2023-12-28\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"SOUTHEASTERN EUROPE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.30965/18763332-47020006\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"AREA STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"SOUTHEASTERN EUROPE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.30965/18763332-47020006","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"AREA STUDIES","Score":null,"Total":0}
引用次数: 0

摘要

本文填补了关于电影和戏剧中克罗地亚独立战争(1991-1995 年)记忆研究的空白,并表明迄今为止艺术一直是解放叙事的主要渠道,挑战了关于受害国和战胜国的主流集体记忆,并成为促进关于国家近代历史辩论的空间。文章重点关注克罗地亚加入欧盟后的十年间,克罗地亚对战争的文化表述,同时特别关注广大观众对此类作品的反应,尤其是主要的记忆参与者,如战争老兵和民族主义政治家。研究结果表明,尽管戏剧和电影提供了关于祖国战争的反叙事,刺激并引发了辩论,但它们是否能在社会上引发更广泛的讨论,还有待观察。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“Don’t Dig in the Graveyard”: The Cultural Representations of the Homeland War in Croatia

This article fills the gap on the research of memory of the Croatian War of Independence (1991–1995) in film and theatre and demonstrates that so far the arts have been the main channel of the emancipatory narrative, challenging the mainstream collective memory of a victim and victorious nation and serving as a space of fostering debate on the country’s recent past. The article focuses on the cultural representation of the war in Croatia in the last decade, since Croatian accession to the EU, while paying special attention to the reactions of the wider audience to such works, especially the key mnemonic actors, such as the war veterans and the nationalist politicians. The results show that even though theatre and film offer counter-narratives on the Homeland War and spur and spark the debate, it is yet to be seen if they can lead to a wider discussion in the society.

求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
SOUTHEASTERN EUROPE
SOUTHEASTERN EUROPE AREA STUDIES-
CiteScore
0.90
自引率
0.00%
发文量
9
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信