{"title":"序列镜头的形而上学：贝拉-塔尔《都灵之马》中存在的聚集与虚无化","authors":"Isabel Rocamora","doi":"10.1080/20004214.2023.2271097","DOIUrl":null,"url":null,"abstract":"This article examines the philosophical implications of Béla Tarr’s The Turin Horse (2011) by attending to the thematic and aesthetic configuration of its sequence shots. The film’s durational imag...","PeriodicalId":43229,"journal":{"name":"Journal of Aesthetics & Culture","volume":"44 1","pages":""},"PeriodicalIF":0.4000,"publicationDate":"2023-12-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Metaphysics of the sequence shot: the gathering and nihilating of being in Béla Tarr’s The Turin Horse\",\"authors\":\"Isabel Rocamora\",\"doi\":\"10.1080/20004214.2023.2271097\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article examines the philosophical implications of Béla Tarr’s The Turin Horse (2011) by attending to the thematic and aesthetic configuration of its sequence shots. The film’s durational imag...\",\"PeriodicalId\":43229,\"journal\":{\"name\":\"Journal of Aesthetics & Culture\",\"volume\":\"44 1\",\"pages\":\"\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2023-12-25\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Aesthetics & Culture\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/20004214.2023.2271097\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"CULTURAL STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Aesthetics & Culture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/20004214.2023.2271097","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"CULTURAL STUDIES","Score":null,"Total":0}
Metaphysics of the sequence shot: the gathering and nihilating of being in Béla Tarr’s The Turin Horse
This article examines the philosophical implications of Béla Tarr’s The Turin Horse (2011) by attending to the thematic and aesthetic configuration of its sequence shots. The film’s durational imag...
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