{"title":"当代艺术的风景。关于 \"历史 \"行为艺术阐释的历史性","authors":"Jakub Král, M. Kolář","doi":"10.15452/historica.2022.14.0011","DOIUrl":null,"url":null,"abstract":"The text deals with the possibilities of updating action and environmental art, based on the tradition of the 1960s. On the basis of poststructuralist theories, the theory of representation and anachronistic or ahistorical approach in contemporary aesthetics and art theory, it points out the possibilities of grasping the works of already classical Czech and Slovak authors and their interpretation within the contemporary discourse.","PeriodicalId":339758,"journal":{"name":"Historica. Revue pro historii a příbuzné vědy","volume":"199 ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Krajiny současného umění. K historicitě interpretace „historického“ akčního umění\",\"authors\":\"Jakub Král, M. Kolář\",\"doi\":\"10.15452/historica.2022.14.0011\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The text deals with the possibilities of updating action and environmental art, based on the tradition of the 1960s. On the basis of poststructuralist theories, the theory of representation and anachronistic or ahistorical approach in contemporary aesthetics and art theory, it points out the possibilities of grasping the works of already classical Czech and Slovak authors and their interpretation within the contemporary discourse.\",\"PeriodicalId\":339758,\"journal\":{\"name\":\"Historica. Revue pro historii a příbuzné vědy\",\"volume\":\"199 \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Historica. Revue pro historii a příbuzné vědy\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.15452/historica.2022.14.0011\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Historica. Revue pro historii a příbuzné vědy","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.15452/historica.2022.14.0011","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Krajiny současného umění. K historicitě interpretace „historického“ akčního umění
The text deals with the possibilities of updating action and environmental art, based on the tradition of the 1960s. On the basis of poststructuralist theories, the theory of representation and anachronistic or ahistorical approach in contemporary aesthetics and art theory, it points out the possibilities of grasping the works of already classical Czech and Slovak authors and their interpretation within the contemporary discourse.
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