{"title":"英国广播公司的《克莉斯汀与皇后》：混血、关系、倾斜","authors":"Martin Munro","doi":"10.3828/cfc.2023.22","DOIUrl":null,"url":null,"abstract":"This article reads 2016 as a breakthrough year for Christine and the Queens in the United Kingdom, particularly England. Through analyzing a select corpus of interviews and performances, I argue that the artist’s personal breakthroughs occur in a context of changing UK–European relations, and indeed of the ever-changing persona of Christine, who changes constantly and yet stays the same in crucial regards. I read such evolving identities and relations with reference to the thought of the Martinican theorist Édouard Glissant.","PeriodicalId":53563,"journal":{"name":"Contemporary French Civilization","volume":"46 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Christine and the Queens at the BBC: hybridity, relation, tilting\",\"authors\":\"Martin Munro\",\"doi\":\"10.3828/cfc.2023.22\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article reads 2016 as a breakthrough year for Christine and the Queens in the United Kingdom, particularly England. Through analyzing a select corpus of interviews and performances, I argue that the artist’s personal breakthroughs occur in a context of changing UK–European relations, and indeed of the ever-changing persona of Christine, who changes constantly and yet stays the same in crucial regards. I read such evolving identities and relations with reference to the thought of the Martinican theorist Édouard Glissant.\",\"PeriodicalId\":53563,\"journal\":{\"name\":\"Contemporary French Civilization\",\"volume\":\"46 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-12-16\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Contemporary French Civilization\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3828/cfc.2023.22\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Contemporary French Civilization","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3828/cfc.2023.22","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
Christine and the Queens at the BBC: hybridity, relation, tilting
This article reads 2016 as a breakthrough year for Christine and the Queens in the United Kingdom, particularly England. Through analyzing a select corpus of interviews and performances, I argue that the artist’s personal breakthroughs occur in a context of changing UK–European relations, and indeed of the ever-changing persona of Christine, who changes constantly and yet stays the same in crucial regards. I read such evolving identities and relations with reference to the thought of the Martinican theorist Édouard Glissant.
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