维多利亚时代的英国对 Cottagecore 美学的意义

IF 0.2 0 LANGUAGE & LINGUISTICS
Edgar James Ælred Jephcote
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引用次数: 0

摘要

本文将伊丽莎白-盖斯凯尔(Elizabeth Gaskell)笔下田园诗般的意象与网络美学的主要视觉主题 "cottagecore "联系起来进行探讨。同时,本文还试图强调维多利亚时代,尤其是其文学和艺术对于这种流行的网络美学的重要性。通过简要提及该时代有影响力的人物,围绕盖斯凯尔乡村小说的文化时间框架被证明与英国乡村别墅生活的浪漫化具有重要的历史关联性。文学和绘画文本是这一文化进程的例证。考虑到作者在《妻子和女儿们》中对小屋的装饰性使用以及她对花卉人物形象的运用,本文还强调了海伦-阿林汉姆(Helen Allingham)和迈尔斯-伯基特-福斯特(Myles Birket Foster)的小屋艺术的视觉美学,以及盖斯凯尔外省作品插图作者对乡村的描绘,这些都展示了盖斯凯尔乡村文本的视觉后现代。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Significance of Victorian England for the Cottagecore Aesthetic
This article contemplates the idyllic imagery of Elizabeth Gaskell's rural texts in relation to the key visual motifs of the Internet aesthetic "cottagecore." Meanwhile, the paper also strives to highlight the importance of both the Victorian era, particularly its literature and art, with regard to this popular Internet aesthetic. With some brief references to influential figures of the age, the cultural timeframe surrounding Gaskell's rural fiction is shown to offer significant historical relevance to the romanticisation of the English country-cottage life. The literary and pictorial texts serve as examples of this cultural process. Considering the author's mostly ornamental use of cottages in Wives and Daughters as well as her employment of floral characterisation, the paper also highlights the visual aesthetics of the cottage art of Helen Allingham and Myles Birket Foster as well as rural depictions made by illustrators of Gaskell's provincial works that display the visual after-life of Gaskell's rural texts.
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来源期刊
English Studies at NBU
English Studies at NBU LANGUAGE & LINGUISTICS-
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