幸运的艺术家

IF 0.6 2区 哲学 0 PHILOSOPHY
Christopher Prodoehl
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引用次数: 0

摘要

想象一下艺术家创作新作品的情景,比如画家用画笔在画布上涂抹颜料。假设她是有意为之,她是否要对自己创作的作品负责?尤其是,她是否对其完成作品的价值负责?在本文的第一部分,我为 "她不负责 "这一说法提出了一个论据,我称之为 "运气论证"。根据这一论点,作品价值的一个重要方面是运气所致,因此艺术家无需为此负责。我接着对 "运气论证 "提出质疑。我认为,有意控制并不是艺术家对其身体活动的唯一控制方式。还有一种类型,我称之为接受控制。接受控制的概念使我们有可能对 "运气论证 "中的一个关键前提提出质疑。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Lucky artists
Imagine an artist creating new work, a painter applying paint to canvas with a brush, for example. Assuming she acts intentionally, is she responsible for the work she creates? Is she responsible, in particular, for whatever value her finished work has? In the first part of the paper, I formulate an argument for the claim she is not; I call this the Luck Argument. According to that argument, an important aspect of the work's value is due to luck, so not something for which the artist is responsible. I then go on to challenge the Luck Argument. I suggest that intentional control is not the only type of control artists exercise over their bodily activity. There is another type, which I call receptive control. The concept of receptive control makes it possible to challenge a crucial premise in the Luck Argument.
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来源期刊
Analytic Philosophy
Analytic Philosophy PHILOSOPHY-
CiteScore
1.10
自引率
0.00%
发文量
34
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