在残疾研究和有色人种理论中阅读黑人同性恋文学遗产:探索约瑟夫-比姆、埃塞克斯-亨菲尔和奥德丽-洛德的作品

Ally Day
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引用次数: 0

摘要

本文通过一种我称之为“重写式阅读”的方式来阅读奥德丽•洛德、埃塞克斯•亨普希尔、约瑟夫•比姆和其他作家的作品。我们必须找到并解读黑人同性恋的声音的方法就是找到这些选集,阅读这些作者之间的改写关系,以及他们与黑人女权主义作家和组织者之间的关系。尽管20世纪80年代和90年代的黑人同性恋者和黑人女权主义者在他们的作品中涉及癌症和艾滋病,但他们通常被认为是与残疾研究领域不同的政治、文化和智力遗产的一部分。对他们相互纠缠的作品进行重写式阅读,揭示了瘸子活动家和文化作品的新谱系。我的意思是黑人酷儿和/或女权主义写作与残疾研究有着重写式的关系;人们可以通过彼此解读思想的层次。一种改写式的解读还提出,被认为不在残疾研究范围内的文化工作者,实际上是创造“有色人种歧视”理论的核心。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Reading a legacy of black gay literature in/to Disability Studies and a Crip-of-Color Theory: Exploring the work of Joseph Beam, Essex Hemphill and Audre Lorde
This article reads works of Audre Lorde, Essex Hemphill, Joseph Beam, and other writers through what I name a palimpsestic practice of crip reading . The very way in which we must find and read the voices of Black gay men is by locating anthologies and reading those contributors in palimpsestic relationship to one another and to Black feminist writers and organizers. Although Black gay men and Black feminists of the 1980’s and 1990’s engaged with cancer and HIV in their writings, they are often considered as part of different political, cultural, and intellectual legacies than is often included in the field of Disability Studies. A palimpsestic reading of their works as entangled with each other reveals new genealogies of crip activist and cultural work. By this I mean that Black queer and/or feminist writing exist in a palimpsest relationship with Disability Studies; one can read the layers of thought through one another.  A palimpsestic reading also proposes that cultural workers presumed to be outside the sphere of Disability Studies are, in fact, central to creating a crip-of-color theory.
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