等待的教育学:与残疾艺术家和创意成长艺术中心一起重新定位时间

Min Gu
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引用次数: 0

摘要

这篇论文源于我在加州奥克兰创意成长艺术中心的实地观察,对残疾艺术家的艺术过程和实践的调查。通过这次调查,我发展了等待教学法的概念,它允许考虑具体化的差异。这种等待教学法是由以下因素概念化的:1)艺术家在Creative Growth的日常艺术过程和实践;2)我在美国艺术工作室Creative Growth的中国艺术教育家和研究员的身份;3)我与哲学家和残疾研究学者的概念和理论探索。拉蒂法·诺扎伊(Latefa Noorzai)是一位以波斯语为母语、移民到美国的艺术家,他开创了等待教学法。拉蒂法的艺术实践和创造性成长的教学实践所展示的时间性挑战了艺术学习和艺术创作中的规范性时间性。等待教学法既由残疾人提供信息,也可作为健全和思想健全的教学法的一种替代方法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Pedagogy of Waiting: A Reorientation to Time with Artists with Disabilities and Creative Growth Art Center
This paper is rooted in my investigation of the artistic processes and practices of artists with disabilities through field observations at Creative Growth Art Center in Oakland, California. Through this investigation, I develop the concept of a pedagogy of waiting, which allows for a consideration of embodied differences. This pedagogy of waiting is conceptualized by and with 1) the everyday artistic processes and practices of artists at Creative Growth; 2) my positionality of being a Chinese art educator and researcher in an art studio, Creative Growth, in the United States; and 3) my conceptual and theoretical exploration with philosophers and disability studies scholars. Among the artists who informed the pedagogy of waiting is Latefa Noorzai, a native Farsi speaker and immigrant to the United States. The temporalities demonstrated through Latefa’s art practice and the pedagogical practice at Creative Growth challenge the normative temporalities in art learning and art making. The pedagogy of waiting is both informed by people with disabilities and as an alternative to able-bodied and able-minded pedagogies.
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