用水彩和铅笔见证他人的苦难:雅德维加·西蒙-皮特凯维奇的大屠杀艺术展，1945 - 1946年在瑞典展出

IF 0.4 3区历史学 Q1 HISTORY

HOLOCAUST AND GENOCIDE STUDIES Pub Date : 2023-11-24 DOI:10.1093/hgs/dcad020

Victoria Van Orden Martínez

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引用次数: 0

摘要

大屠杀刚刚结束(1945年至1946年)，瑞典隆德的一家小画廊展出了波兰艺术家雅德维加·西蒙-皮耶基维奇(Jadwiga Simon-Pietkiewicz)的油画和素描，描绘了她在ravensbr克集中营的前囚犯。这次展览和随后在瑞典其他地方举行的展览标志着战后早期大屠杀艺术在一个相对未受大屠杀影响的国家展出的罕见实例。通过分析瑞典公众和媒体对这些展览中的艺术品的反应，以及瑞典和国际上对解放“暴行照片”的反应，作者拓宽了我们对大屠杀艺术、早期证词、大屠杀期间和之后的机构和抵抗的理解。

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Witnessing the Suffering of Others in Watercolor and Pencil: Jadwiga Simon-Pietkiewicz’s Holocaust Art Exhibited in Sweden, 1945–46

In the Holocaust’s immediate aftermath (1945–1946), a small gallery in Lund, Sweden exhibited the paintings and drawings of Polish artist Jadwiga Simon-Pietkiewicz, which depicted her former fellow inmates in the Ravensbrück concentration camp. This exhibit and subsequent exhibitions elsewhere in Sweden marked rare instances of early postwar Holocaust art displayed in a country that had been relatively unaffected by the Holocaust. By analyzing the response of the Swedish public and press to the artwork in these exhibits, as well as Swedish and international responses to “atrocity photos” of the liberation, the author broadens our understanding of Holocaust art, early testimonies, and agency and resistance during and after the Holocaust.

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来源期刊

HOLOCAUST AND GENOCIDE STUDIES HISTORY-

CiteScore

0.40

自引率

33.30%

发文量

期刊介绍： The major forum for scholarship on the Holocaust and other genocides, Holocaust and Genocide Studies is an international journal featuring research articles, interpretive essays, and book reviews in the social sciences and humanities. It is the principal publication to address the issue of how insights into the Holocaust apply to other genocides. Articles compel readers to confront many aspects of human behavior, to contemplate major moral issues, to consider the role of science and technology in human affairs, and to reconsider significant political and social factors.