作为后人类组合的表演者:当代音乐中的表演者与机器的互动

IF 0.3 2区艺术学 0 MUSIC

Contemporary Music Review Pub Date : 2023-11-27 DOI:10.1080/07494467.2023.2277978

Mark Dyer, Zubin Kanga

引用次数: 0

摘要

发表于《当代音乐评论》(2023年印刷前)

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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The Performer as Posthuman Assemblage: Performer-Machine Interactions in Contemporary Music

Published in Contemporary Music Review (Ahead of Print, 2023)

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来源期刊

Contemporary Music Review MUSIC-

CiteScore

1.00

自引率

25.00%

发文量

期刊介绍： Contemporary Music Review provides a forum for musicians and musicologists to discuss recent musical currents in both breadth and depth. The main concern of the journal is the critical study of music today in all its aspects—its techniques of performance and composition, texts and contexts, aesthetics, technologies, and relationships with other disciplines and currents of thought. The journal may also serve as a vehicle to communicate documentary materials, interviews, and other items of interest to contemporary music scholars. All articles are subjected to rigorous peer review before publication. Proposals for themed issues are welcomed.