拟声词和转喻

IF 0.6 4区 文学 0 LANGUAGE & LINGUISTICS
Réka Benczes, Lilla Petronella Szabó
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引用次数: 0

摘要

当谈到拟声词时,人们通常认为这些词是声音象征主义的缩影,因为形式和意义之间的联系是“自然的”。然而,情况远非如此:拟声词确实需要符合相应语言的语音和形态限制。由于这些限制,拟声形式在模仿特定声音的程度上可能会有很大的不同,这使得简洁地划定或定义这类单词成为一项挑战。因此,本文研究了拟声词在英语中的作用,并提供了一个新的拟声词的定义,能够包括小说和词汇化的例子。为了做到这一点,本文提倡一种基于转喻的拟声形式方法。虽然认知语言学中经常说,转喻是语言和认知的基础(参见巴塞罗那,2019年的最新概述),但很少有研究人员像安东尼奥·巴塞罗那那样做了这么多的工作来证明这一说法。本文就是为了纪念这一终身成就。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Onomatopoeia and metonymy
When it comes to onomatopoeia, it is often claimed that such words are the epitome of sound symbolism, as the link between form and meaning is felt to be “natural”. Yet, this is quite far from the case: onomatopoeic words do need to conform to the phonological and morphological restrictions of a respective language. Due to these restrictions, onomatopoeic forms can vary greatly with regard to the degree to which they are felt to be imitative of a particular sound, making it quite a challenge to succinctly delimit or define this category of words. Accordingly, the paper investigates the role of onomatopoeic formations in English and provides a novel definition of onomatopoeia that is able to encompass both novel and lexicalised examples. In order to do so, the paper advocates a metonymy-based approach to onomatopoeic forms. While it is often stated within cognitive linguistics that metonymy is fundamental in language and cognition (see Barcelona, 2019 for a recent overview), few researchers have done so much to justify this claim as Antonio Barcelona. The present paper is in honour of this lifelong achievement.
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来源期刊
CiteScore
1.30
自引率
14.30%
发文量
16
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