{"title":"Š‘baḏa:魔术师和历史科学、哲学和神学之间发生","authors":"Paola Carusi","doi":"10.21747/21836884/med40a4","DOIUrl":null,"url":null,"abstract":"Cited in the classifications of sciences as operational science (ṣinā‛a), in the Islamic world of the Middle Ages, the ša‛baḏa, in its various forms and extensions — it can also be shadow play — ba-lances along a delicate border. While the public is enjoying its ‘wonders’, scholars of different back-grounds give their opinions on its real contents; the philosophers, beyond the ‘wonders’, meditate on the hand of man and on the degree of its perfection which makes it the most sensitive of instruments; the theologians tend to consider it the sister of magic, and as such to be condemned, yet they can also mention it in laudatory terms; the mystics come to compare the muša‛biḏ to God. Against this lively, colorful background, the muša‛biḏ, regardless of anything other than his art, continues to play his game","PeriodicalId":497912,"journal":{"name":"Mediaevalia, textos e estudos","volume":"108 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Ša‛baḏa: prestidigitazione e illusionismo tra storia della scienza, filosofia e teologia\",\"authors\":\"Paola Carusi\",\"doi\":\"10.21747/21836884/med40a4\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Cited in the classifications of sciences as operational science (ṣinā‛a), in the Islamic world of the Middle Ages, the ša‛baḏa, in its various forms and extensions — it can also be shadow play — ba-lances along a delicate border. While the public is enjoying its ‘wonders’, scholars of different back-grounds give their opinions on its real contents; the philosophers, beyond the ‘wonders’, meditate on the hand of man and on the degree of its perfection which makes it the most sensitive of instruments; the theologians tend to consider it the sister of magic, and as such to be condemned, yet they can also mention it in laudatory terms; the mystics come to compare the muša‛biḏ to God. Against this lively, colorful background, the muša‛biḏ, regardless of anything other than his art, continues to play his game\",\"PeriodicalId\":497912,\"journal\":{\"name\":\"Mediaevalia, textos e estudos\",\"volume\":\"108 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Mediaevalia, textos e estudos\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.21747/21836884/med40a4\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Mediaevalia, textos e estudos","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.21747/21836884/med40a4","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Ša‛baḏa: prestidigitazione e illusionismo tra storia della scienza, filosofia e teologia
Cited in the classifications of sciences as operational science (ṣinā‛a), in the Islamic world of the Middle Ages, the ša‛baḏa, in its various forms and extensions — it can also be shadow play — ba-lances along a delicate border. While the public is enjoying its ‘wonders’, scholars of different back-grounds give their opinions on its real contents; the philosophers, beyond the ‘wonders’, meditate on the hand of man and on the degree of its perfection which makes it the most sensitive of instruments; the theologians tend to consider it the sister of magic, and as such to be condemned, yet they can also mention it in laudatory terms; the mystics come to compare the muša‛biḏ to God. Against this lively, colorful background, the muša‛biḏ, regardless of anything other than his art, continues to play his game