Š‘baḏa:魔术师和历史科学、哲学和神学之间发生

Paola Carusi
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引用次数: 0

摘要

在科学分类中被引用为操作科学(ṣinā ' a),在中世纪的伊斯兰世界,ša 'baḏa以其各种形式和扩展-它也可以是皮影戏-沿着微妙的边界徘徊。当公众在欣赏它的“奇观”时,不同背景的学者对它的真实内容发表了自己的看法;除了“奇迹”之外,哲学家们还在思考人类的手,以及它的完美程度,正是这种完美程度使它成为最敏感的工具;神学家倾向于认为它是魔法的姐妹,因此受到谴责,但他们也可以用赞美的词来提到它;神秘主义者把muša ' bitah比作上帝。在这种生动、丰富多彩的背景下,muša ' bidi不顾他的艺术之外的任何事情,继续玩他的游戏
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Ša‛baḏa: prestidigitazione e illusionismo tra storia della scienza, filosofia e teologia
Cited in the classifications of sciences as operational science (ṣinā‛a), in the Islamic world of the Middle Ages, the ša‛baḏa, in its various forms and extensions — it can also be shadow play — ba-lances along a delicate border. While the public is enjoying its ‘wonders’, scholars of different back-grounds give their opinions on its real contents; the philosophers, beyond the ‘wonders’, meditate on the hand of man and on the degree of its perfection which makes it the most sensitive of instruments; the theologians tend to consider it the sister of magic, and as such to be condemned, yet they can also mention it in laudatory terms; the mystics come to compare the muša‛biḏ to God. Against this lively, colorful background, the muša‛biḏ, regardless of anything other than his art, continues to play his game
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