当故事旅行:跨文化电影改编述评

Tian Wang, Rosdeen Bin Suboh, Farideh Alizadeh
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引用次数: 0

摘要

跨文化电影改编一直是改编研究的一个鲜为人知的分支,但它的历史与电影改编相当,几乎与电影一样悠久。由于其不断发展的改编活动与理论研究的不足和局限相矛盾,本研究对跨文化电影改编研究进行了回顾,以期为改编领域带来新的见解。以改编研究成果为基础,参考跨文化交际、国际交际等相关研究,界定跨文化电影改编相关术语。在此基础上,对案例研究方法和保真度研究的比较进行了回顾,一方面总结了研究方法和适应策略,另一方面回应了Leitch提出的关于适应的两个基本问题:案例研究的价值和保真度的概念。本文认为,在跨文化电影改编中,保真度与创造力之间存在着一种调和关系,即文化的创造性转化,而不是攻击保真度或夸大创造力的价值。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
When Stories Travel: A Review of Transcultural Film Adaptation
Transcultural film adaptation has long been an obscure branch of adaptation studies, yet its history is equivalent to the film adaptation, and almost as long as cinema. Since its ongoing and growing adaptation activities are inconsistent with insufficient and limited theoretical research, this study reviews transcultural film adaptation research to bring fresh insights into the adaptation area. Based on adaptation research results, it alludes to related studies, such as cross-cultural communication and international communication, and defines transcultural film adaptation-related terms. It then reviews comparative case study method and fidelity studies to, on the one hand, summarize the research methodology and adaptation strategies and, on the other hand, respond to the two foundational questions surrounding adaptation raised by Leitch: the value of case study and the notion of fidelity. Instead of attacking fidelity or exaggerating the value of creativity, this paper contends that a reconciling relationship exists between fidelity and creativity in transcultural film adaptation, i.e. the creative transformation of culture.
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