麦积山石窟北周瘦肉雕塑研究

Lifang Yan
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引用次数: 0

摘要

麦积山四窟七佛亭飞天壁画的瘦肉雕塑创作于北周,是佛教艺术与中国传统文化融合的产物。其中,壁画采用绘画与雕塑相结合的方法,罕见而新颖,不仅充分体现了中国古代艺术家的智慧和非凡的创造力,而且对中国佛教雕塑艺术具有很高的艺术价值。本文以“瘦肉雕塑”为研究对象,对北周造像的历史发展、瘦肉雕塑壁画的概况、特点和艺术成就进行了分析和阐述,探讨了绘画雕塑的艺术技法与中国雕塑壁画的关系,研究了瘦肉雕塑在中国佛教雕塑壁画艺术发展中的意义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Study on the Thin Flesh Sculptures of Northern Zhou Dynasty in Maijishan Grottoes
The thin flesh sculpture of the Flying Sky mural in the Seven Buddha Pavilion of the fourth cave of Maijishan was created in the Northern Zhou Dynasty, which is the product of the fusion of Buddhist art and traditional Chinese culture. Among them, the mural uses the method of combining painting and sculpture, which is rare and novel, which not only fully reflects the intelligence and extraordinary creativity of ancient artists in China, but also has high artistic value for Buddhist sculpture art in China. Taking "thin meat sculpture" as the research object, this paper analyzes and elaborates on the historical development of Northern Zhou statues, the overview of thin meat sculpture murals, their characteristics and artistic achievements, explores the relationship between the artistic techniques of painting and sculpture and Chinese sculpture and murals, and studies the significance of thin meat sculpture in the development of Chinese Buddhist sculpture and mural art.
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