{"title":"早期现代眼睛模型的制作","authors":"Wenrui Zhao","doi":"10.1098/rsnr.2023.0020","DOIUrl":null,"url":null,"abstract":"Anatomical eye models became increasingly popular in the seventeenth century across Europe. They served as useful pedagogical tools, allowing the hands-on study of ocular anatomy and repeated re-enactment of the dissection process, while also being appreciated for their workmanship and aesthetics. Their makers included surgeons, anatomists and artisans, and they often collaborated to produce these artefacts. Comprising materials such as ivory, horn, glass and leather, the components of the model aimed to recreate and stand in for bodily surfaces and textures. This article takes the materiality of the eye model as the starting point from which to explore the role of material-based expertise and insights in producing knowledge of the body. The model encapsulated a conceptualization shared across surgical and artisanal practices that the body was a kind of material, equivalent to the matter craftsmen worked with. It enabled engagement with the body as material and encouraged a re-evaluation of sensory literacy, fostering a way of seeing that also entailed touching.","PeriodicalId":49744,"journal":{"name":"Notes and Records-The Royal Society Journal of the History of Science","volume":null,"pages":null},"PeriodicalIF":0.4000,"publicationDate":"2023-11-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The making of early modern eye models\",\"authors\":\"Wenrui Zhao\",\"doi\":\"10.1098/rsnr.2023.0020\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Anatomical eye models became increasingly popular in the seventeenth century across Europe. They served as useful pedagogical tools, allowing the hands-on study of ocular anatomy and repeated re-enactment of the dissection process, while also being appreciated for their workmanship and aesthetics. Their makers included surgeons, anatomists and artisans, and they often collaborated to produce these artefacts. Comprising materials such as ivory, horn, glass and leather, the components of the model aimed to recreate and stand in for bodily surfaces and textures. This article takes the materiality of the eye model as the starting point from which to explore the role of material-based expertise and insights in producing knowledge of the body. The model encapsulated a conceptualization shared across surgical and artisanal practices that the body was a kind of material, equivalent to the matter craftsmen worked with. It enabled engagement with the body as material and encouraged a re-evaluation of sensory literacy, fostering a way of seeing that also entailed touching.\",\"PeriodicalId\":49744,\"journal\":{\"name\":\"Notes and Records-The Royal Society Journal of the History of Science\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2023-11-15\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Notes and Records-The Royal Society Journal of the History of Science\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1098/rsnr.2023.0020\",\"RegionNum\":3,\"RegionCategory\":\"哲学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"HISTORY & PHILOSOPHY OF SCIENCE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Notes and Records-The Royal Society Journal of the History of Science","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1098/rsnr.2023.0020","RegionNum":3,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"HISTORY & PHILOSOPHY OF SCIENCE","Score":null,"Total":0}
Anatomical eye models became increasingly popular in the seventeenth century across Europe. They served as useful pedagogical tools, allowing the hands-on study of ocular anatomy and repeated re-enactment of the dissection process, while also being appreciated for their workmanship and aesthetics. Their makers included surgeons, anatomists and artisans, and they often collaborated to produce these artefacts. Comprising materials such as ivory, horn, glass and leather, the components of the model aimed to recreate and stand in for bodily surfaces and textures. This article takes the materiality of the eye model as the starting point from which to explore the role of material-based expertise and insights in producing knowledge of the body. The model encapsulated a conceptualization shared across surgical and artisanal practices that the body was a kind of material, equivalent to the matter craftsmen worked with. It enabled engagement with the body as material and encouraged a re-evaluation of sensory literacy, fostering a way of seeing that also entailed touching.
期刊介绍:
Notes and Records is an international journal which publishes original research in the history of science, technology and medicine.
In addition to publishing peer-reviewed research articles in all areas of the history of science, technology and medicine, Notes and Records welcomes other forms of contribution including: research notes elucidating recent archival discoveries (in the collections of the Royal Society and elsewhere); news of research projects and online and other resources of interest to historians; essay reviews, on material relating primarily to the history of the Royal Society; and recollections or autobiographical accounts written by Fellows and others recording important moments in science from the recent past.