在爱的回忆里

Membrana Pub Date : 2023-08-18 DOI:10.47659/mj-v7n1-2id132
Felicity T. C. Hamer
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引用次数: 0

摘要

由于渴望跨时间的、持续的联系,一些失去亲人的人会与亲人的照片建立关系。这些珍贵的照片捕捉的不仅仅是转瞬即逝的瞬间,它们有能力跨越时间。事实上,有些人会变得如此沉迷于记忆活动,以至于他们参与的能力不再依赖于可见的物体。这些纪念品放错了地方,或者(有意无意地)被避免了,它们会呈现出一种我称之为“幽灵”的存在——与它们想要纪念的幽灵相呼应。本文探讨了各种形式的美化摄影肖像,将缺席的个人的肖像重新整合到与丧亲者共同的时间框架中。在我的研究中引入和发展了幻像,幻像是一种拟物象——保留了物体现在多余的属性,这些属性一度承载了现在已经断开的记忆活动。本文跟随想象力在记忆中的角色,随着它通过摄影媒介——通过重新摄影、精神照片、数字合成、截图——走向只需要调用的照片欣赏。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
In Loving Memories
Longing for cross-temporal, sustained connections, some bereaved will form relationships with photographic portraits of loved ones. These cherished photographs capture more than a fleeting moment – they have the ability to speak across time. Indeed, some become so enmeshed in the remembrance activity that their ability to participate is no longer dependent on the viewable object. Misplaced or (consciously/unconsciously) avoided, these mementoes can take on what I name a “hauntographic” presence – echoing the very phantoms they were meant to commemorate. This paper explores various forms of embellished photographic portraits that reintegrate the likeness of absent individuals into a common temporal frame with the bereaved. Introduced and developed within my research, hauntographs are skeuomorphs – retaining the now-superfluous attributes of objects that, for a time, hosted the now-disconnected remembrance activity. This paper follows the imagination’s role in remembrance as it moves through the photographic medium – through rephotography, spirit photographs, digitally manufactured composites, screenshots – towards an appreciation of photographs that need only be invoked.
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