{"title":"一起说得通。好奇心的内阁是重新考虑全民教育的途径","authors":"Nancy Vansieleghem","doi":"10.1080/17449642.2023.2267289","DOIUrl":null,"url":null,"abstract":"ABSTRACTThis paper refers to a project that we as an art school carried out together with the Flemish organisation VVOB in Zambia. The main goal of the project was to equip primary school teachers with the necessary knowledge and infrastructure to deliver basic ‘education for all.’ The paper challenges the implicit instrumentalization of the arts in that approach, but also brings back to the forefront the notion of art as a practice that ‘makes sense together.’ Through cabinet of curiosity practices such as observing, noting, collecting, mapping, exposing and gathering, we explored how sharing emergent relational structures could be a starting point and even the essence of a pedagogical practice that thinks with and before the world, and approaches education for all as a study praxis rather than an end goal. The argument is built in company with authors such as Gert Biesta, Jean Luc Nancy and Tim Ingold.Keywords: mundialisationglobalisationeducation for developmentattentioneducation for allcabinet of curiosity Disclosure statementNo potential conflict of interest was reported by the author(s).Notes1. VVOB is an acronym that previously referred to ‘Vlaamse Vereniging voor Ontwikkelingssamenwerking en Technische Bijstand.’ Today this reference is no longer in use, it refers to Education for Development.2. This is the general goal of the larger QEECS- program of which the cooperation between LUCA and VVOB forms a part. At that moment only 17,3% of the children that attend primary education had ECE. Besides this, the quality of ECE was well below par. https://www.vvob.org/en/programmes/zambia-quality-early-education-community-schools.3. https://www.vvob.org/sites/belgium/files/2018_vvob_technical-brief_learning-through-play_web.pdf.4. ‘We’ is : Lieve Simoens and Lore Stessels, who were at that time students of the teacher training of LUCA School of art who did their internship in Zambia, together with Nancy Vansieleghem and Gerda Dendooven who performed a workshop on cabinet of curiosity for teacher trainers in Zambia.5. Andrea De Wulf about Alexander Von Humboldt: ‘He had waited for years to see the world and knew that he was putting his life in danger, but he wanted to see more’ (De Wulf Citation2019, 53).","PeriodicalId":45613,"journal":{"name":"Ethics and Education","volume":null,"pages":null},"PeriodicalIF":0.7000,"publicationDate":"2023-10-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Making sense together. The cabinet of curiosity as path to reconsider education for all\",\"authors\":\"Nancy Vansieleghem\",\"doi\":\"10.1080/17449642.2023.2267289\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACTThis paper refers to a project that we as an art school carried out together with the Flemish organisation VVOB in Zambia. The main goal of the project was to equip primary school teachers with the necessary knowledge and infrastructure to deliver basic ‘education for all.’ The paper challenges the implicit instrumentalization of the arts in that approach, but also brings back to the forefront the notion of art as a practice that ‘makes sense together.’ Through cabinet of curiosity practices such as observing, noting, collecting, mapping, exposing and gathering, we explored how sharing emergent relational structures could be a starting point and even the essence of a pedagogical practice that thinks with and before the world, and approaches education for all as a study praxis rather than an end goal. The argument is built in company with authors such as Gert Biesta, Jean Luc Nancy and Tim Ingold.Keywords: mundialisationglobalisationeducation for developmentattentioneducation for allcabinet of curiosity Disclosure statementNo potential conflict of interest was reported by the author(s).Notes1. VVOB is an acronym that previously referred to ‘Vlaamse Vereniging voor Ontwikkelingssamenwerking en Technische Bijstand.’ Today this reference is no longer in use, it refers to Education for Development.2. This is the general goal of the larger QEECS- program of which the cooperation between LUCA and VVOB forms a part. At that moment only 17,3% of the children that attend primary education had ECE. Besides this, the quality of ECE was well below par. https://www.vvob.org/en/programmes/zambia-quality-early-education-community-schools.3. https://www.vvob.org/sites/belgium/files/2018_vvob_technical-brief_learning-through-play_web.pdf.4. ‘We’ is : Lieve Simoens and Lore Stessels, who were at that time students of the teacher training of LUCA School of art who did their internship in Zambia, together with Nancy Vansieleghem and Gerda Dendooven who performed a workshop on cabinet of curiosity for teacher trainers in Zambia.5. 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引用次数: 0
摘要
摘要本文是指我们作为一所艺术学校与佛兰德组织VVOB在赞比亚共同开展的一个项目。该项目的主要目标是为小学教师提供必要的知识和基础设施,为所有人提供基础教育。这篇论文挑战了这种方法中隐含的艺术工具化,但也将艺术作为一种“有意义的共同实践”的概念带回了最前沿。“通过观察、记录、收集、映射、暴露和收集等一系列好奇心实践,我们探索了如何将共享紧急关系结构作为一个起点,甚至是与世界一起思考的教学实践的本质,并将全民教育作为一种学习实践,而不是最终目标。”的观点是建立在公司与作者如哥特Biesta,让吕克·南希和蒂姆·英格尔德。关键词:世界性;全球化;发展教育;VVOB是“Vlaamse Vereniging voor Ontwikkelingssamenwerking en Technische Bijstand”的首字母缩写。今天这个提法已经不再使用了,它指的是教育促进发展。这是更大的QEECS计划的总体目标,LUCA和VVOB之间的合作是其中的一部分。当时,只有17.3%的初等儿童接受过ECE教育。除此之外,欧洲经委会的质量远低于https://www.vvob.org/en/programmes/zambia-quality-early-education-community-schools.3。https://www.vvob.org/sites/belgium/files/2018_vvob_technical-brief_learning-through-play_web.pdf.4。“我们”是:Lieve Simoens和Lore stesssels,他们当时是LUCA艺术学院教师培训的学生,在赞比亚实习,还有Nancy Vansieleghem和Gerda Dendooven,他们在赞比亚为教师培训师举办了一个关于好奇柜的讲习班。安德里亚·德·伍尔夫评价亚历山大·冯·洪堡:“他等了很多年,想看看这个世界,他知道自己是在把生命置于危险之中,但他想看得更多。”(德·伍尔夫引文2019,53)。
Making sense together. The cabinet of curiosity as path to reconsider education for all
ABSTRACTThis paper refers to a project that we as an art school carried out together with the Flemish organisation VVOB in Zambia. The main goal of the project was to equip primary school teachers with the necessary knowledge and infrastructure to deliver basic ‘education for all.’ The paper challenges the implicit instrumentalization of the arts in that approach, but also brings back to the forefront the notion of art as a practice that ‘makes sense together.’ Through cabinet of curiosity practices such as observing, noting, collecting, mapping, exposing and gathering, we explored how sharing emergent relational structures could be a starting point and even the essence of a pedagogical practice that thinks with and before the world, and approaches education for all as a study praxis rather than an end goal. The argument is built in company with authors such as Gert Biesta, Jean Luc Nancy and Tim Ingold.Keywords: mundialisationglobalisationeducation for developmentattentioneducation for allcabinet of curiosity Disclosure statementNo potential conflict of interest was reported by the author(s).Notes1. VVOB is an acronym that previously referred to ‘Vlaamse Vereniging voor Ontwikkelingssamenwerking en Technische Bijstand.’ Today this reference is no longer in use, it refers to Education for Development.2. This is the general goal of the larger QEECS- program of which the cooperation between LUCA and VVOB forms a part. At that moment only 17,3% of the children that attend primary education had ECE. Besides this, the quality of ECE was well below par. https://www.vvob.org/en/programmes/zambia-quality-early-education-community-schools.3. https://www.vvob.org/sites/belgium/files/2018_vvob_technical-brief_learning-through-play_web.pdf.4. ‘We’ is : Lieve Simoens and Lore Stessels, who were at that time students of the teacher training of LUCA School of art who did their internship in Zambia, together with Nancy Vansieleghem and Gerda Dendooven who performed a workshop on cabinet of curiosity for teacher trainers in Zambia.5. Andrea De Wulf about Alexander Von Humboldt: ‘He had waited for years to see the world and knew that he was putting his life in danger, but he wanted to see more’ (De Wulf Citation2019, 53).