{"title":"非殖民时尚人种学:“Before Yesterday”方法","authors":"Mi Medrado","doi":"10.1386/infs_00095_1","DOIUrl":null,"url":null,"abstract":"This article explores decolonial fashion ethnography, focusing on the convergence of media and fashion in Angola and Brazil. Through fieldwork research, the article examines the production and circulation of fashion goods. The article emphasizes the need to decolonize the media and fashion industries, proposing the Antes de Ontem method for decolonial fashion ethnography. This method encourages a shift away from Eurocentric and binary thinking, promoting inclusivity and diversity in fashion research. The author emphasizes the coloniality of dress and the perpetuation of structural and cultural racism within the fashion industry. The article concludes by advocating for the integration of Afro-Brazilian fashion history and knowledge, challenging structural racism and Eurocentrism in the industry.","PeriodicalId":42103,"journal":{"name":"International Journal of Fashion Studies","volume":"85 1","pages":"0"},"PeriodicalIF":0.3000,"publicationDate":"2023-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Decolonial fashion ethnography: ‘Before Yesterday’ method\",\"authors\":\"Mi Medrado\",\"doi\":\"10.1386/infs_00095_1\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article explores decolonial fashion ethnography, focusing on the convergence of media and fashion in Angola and Brazil. Through fieldwork research, the article examines the production and circulation of fashion goods. The article emphasizes the need to decolonize the media and fashion industries, proposing the Antes de Ontem method for decolonial fashion ethnography. This method encourages a shift away from Eurocentric and binary thinking, promoting inclusivity and diversity in fashion research. The author emphasizes the coloniality of dress and the perpetuation of structural and cultural racism within the fashion industry. The article concludes by advocating for the integration of Afro-Brazilian fashion history and knowledge, challenging structural racism and Eurocentrism in the industry.\",\"PeriodicalId\":42103,\"journal\":{\"name\":\"International Journal of Fashion Studies\",\"volume\":\"85 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2023-10-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"International Journal of Fashion Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1386/infs_00095_1\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"International Journal of Fashion Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/infs_00095_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
摘要
本文探讨了非殖民化的时尚人种学,重点关注安哥拉和巴西媒体和时尚的融合。本文通过实地调查,考察了时尚商品的生产和流通。文章强调了媒体和时尚产业非殖民化的必要性,提出了非殖民化时尚人种学的Antes de Ontem方法。这种方法鼓励摆脱以欧洲为中心和二元思维,促进时尚研究的包容性和多样性。作者强调了服装的殖民性,以及时尚行业中结构性和文化种族主义的延续。文章最后主张整合非裔巴西人的时尚历史和知识,挑战行业中的结构性种族主义和欧洲中心主义。
This article explores decolonial fashion ethnography, focusing on the convergence of media and fashion in Angola and Brazil. Through fieldwork research, the article examines the production and circulation of fashion goods. The article emphasizes the need to decolonize the media and fashion industries, proposing the Antes de Ontem method for decolonial fashion ethnography. This method encourages a shift away from Eurocentric and binary thinking, promoting inclusivity and diversity in fashion research. The author emphasizes the coloniality of dress and the perpetuation of structural and cultural racism within the fashion industry. The article concludes by advocating for the integration of Afro-Brazilian fashion history and knowledge, challenging structural racism and Eurocentrism in the industry.