恢复传统,塑造公民身份:当代巴西非洲中心时尚中的安卡拉

IF 0.3 0 HUMANITIES, MULTIDISCIPLINARY
Dandara Maia
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引用次数: 0

摘要

本文探讨了在殖民和后殖民时期的尼日利亚和巴西,时尚消费如何塑造对公民身份和归属感的理解。它的重点是安卡拉,一种由欧洲商人和基督教传教士带到西非的印花纺织品。这篇文章探讨了非洲材料,如安卡拉,如何挑战现代审美标准,并在殖民时期被用来控制人们。在尼日利亚,安卡拉成为新基督教公民的象征,而在当代巴西,它被用来挑战西方时尚和庆祝非洲传统。这篇文章运用视觉艺术、文学和对里约热内卢、圣保罗和萨尔瓦多时装设计师的采访,来展示安卡拉如何成为以非洲为中心的巴西时尚的一部分。总体而言,对安卡拉的研究表明,时尚是如何被用作压迫的工具的,以及由于现代非裔巴西时装设计师,其压迫历史是如何在改变的过程中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Reclaiming tradition, fashioning citizenship: Ankara in contemporary Brazilian Afrocentric fashion
This article explores the ways in which fashion consumption shaped the understandings of citizenship and belonging in colonial and postcolonial Nigeria and Brazil. It focuses on ankara , a printed textile that was brought to West Africa by European merchants and Christian missionaries. The article examines how African materials, such as ankara , challenged modern beauty standards and have been used to control people during colonization. In Nigeria, ankara became a symbol of the new Christian citizen, while in contemporary Brazil, it was used to challenge western fashion and celebrate African heritage. The article uses visual art, literature and interviews with fashion designers in Rio de Janeiro, São Paulo and Salvador to show how ankara has become a part of Afrocentric Brazilian fashion. Overall, the study of ankara shows how fashion has been used as a tool of oppression and how its oppressive history is in the process of changing, thanks to modern Afro-Brazilian fashion designers.
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来源期刊
International Journal of Fashion Studies
International Journal of Fashion Studies HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.90
自引率
25.00%
发文量
25
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