对口语诗歌韵律分割深度的感知(普希金《尤金·奥涅金》)

IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY
A. V. Kruglova
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引用次数: 0

摘要

停顿是不同语言中最普遍的韵律划分标志之一。它们的持续时间取决于各种因素,如体裁、句法和标点符号。在诗歌中,停顿不仅有助于揭示诗歌的结构,强调诗歌的分行,而且还反映了一行内部划分的不同程度。本研究展示了一项知觉实验的结果,该实验涉及11名参与者,他们使用5分制来评估俄语口语诗歌中韵律中断的存在和深度,该实验在之前对俄语和荷兰语散文文本进行的实验中被证明是有效的。实验表明,以英语为母语的人能够成功地识别诗歌口语中的停顿,并始终确定停顿的深度。当评估一条线内的分割深度时,参与者倾向于使用尽可能低的分数。此外,研究还发现演讲者演讲中物理停顿的持续时间与参与者对韵律停顿的评价水平之间存在相关性。这些发现填补了理解诗歌韵律划分深度的空白,并证实了先前确定的俄罗斯诗歌暂停分布模式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Perception of Prosodic Division Depth in Spoken Poetry (A.S. Pushkin’s “Eugene Onegin”)
Pauses are one of the most universal markers of prosodic division in different languages. Their duration depends on various factors such as genre, syntax, and punctuation. In poetry, pauses not only help reveal the structure of the poem and emphasize its division into lines, but also reflect the varying degree of internal division within a line. This study presents the results of a perceptual experiment involving 11 participants who evaluated the presence and depth of prosodic breaks in spoken Russian poetry using a 5-point scale, which has been proven effective in previous experiments conducted on prose texts in Russian and Dutch. The experiment showed that native speakers successfully identify pauses in spoken poetry and consistently determine their depth. When evaluating the depth of division within a line, participants tended to use the lowest possible score. Additionally, a correlation was found between the duration of physical pauses in the speaker’s speech and the level of evaluation of prosodic breaks by the participants. These findings fill a gap in understanding the depth of prosodic division in poetry and confirm previously identified patterns of pause distribution in Russian poetry.
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来源期刊
Nauchnyi Dialog
Nauchnyi Dialog HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.10
自引率
0.00%
发文量
215
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