作曲家Teodor Zgureanu想象中的Vasile Alecsandri的诗“milirioara, Florioara”

Tatiana Cosciug
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引用次数: 0

摘要

特奥多尔·兹瓜亚努的《L-al Moldovei dulce soare》女高音与管弦协奏曲(2006)的灵感来自瓦西里·亚历山大里的传奇诗歌《穆里奥拉,弗洛里奥拉》。这首诗是在准民俗的维度上构思和实现的,将文化诗歌的特点和原则与民间诗歌的语言相结合。民间传说的风格体现在对摩尔多瓦乡村自然的详细描述和这片土地上女孩的美丽,体现在诗歌的特点、押韵和史诗般的传奇主题中,用6个长章节讲述。T. Zgureanu从这个诗歌传说中只提取了一些片段,这些片段突出了抒情心理方面,强调了milirioara的灵魂体验和情感。因此,作曲家减轻了史诗般的戏剧性内容,在亚历山德里的作品中占主导地位,完全排除了文本的梦幻成分。为了忠实于亚历山德里诗歌的思想内涵,协奏曲作者从民间传说中取材的古旧模式的风格化入手,以旋律为主要表现手段,将调性与调性相结合。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The poem "Mărioara, Florioara" by Vasile Alecsandri in the vision of composer Teodor Zgureanu
Teodor Zgureanu’s Concerto for Soprano and Orchestra, L-al Moldovei dulce soare (2006), was inspired by the poem-legend Mărioara, Florioara by Vasile Alecsandri. The poem is conceived and realized in a quasi-folkloric dimension, combining the features and principles of cultured poetry with the language of folk poetry. The folkloric style is present in the detailed description of the nature of the Moldavian countryside and the beauty of the girls from this land, in the character of the verse, the rhymes, and in the epic-legendary subject, told in 6 long chapters. T. Zgureanu took from this poem-legend only certain fragments that highlight the lyrical-psychological aspect and accentuate the soul experiences and feelings of Mărioara. The composer thus mitigates the epic-dramatic content, dominant in Alecsandri` s work, completely excluding the fantastic component of the text. To remain faithful to the ideological content of V. Alecsandri’s poem, the author of the Concerto starts from the stylization of archaic models taken from folklore, uses melody as the main means of expression, combining tonal and modal writing.
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