更适合吃你的:《小红帽》改编中的性、暴力和厌恶

IF 0.2 0 LITERATURE
Nicola Welsh-Burke
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引用次数: 0

摘要

在本文中,我探讨了对合并、性暴力、渗透性和“泄漏”以及隐喻和字面上的恶棍的恐惧是如何在当代童话复述传统中进行协商的。通过仔细阅读和对比分析21世纪青少年(青少年)对2010年代《小红帽》的两种复述(杰克逊·皮尔斯的《红姐妹》和埃拉娜·k·阿诺德的《红帽子》),我认为,由于童话、恐怖和青少年类型的交叉,这种对性、暴力和味觉欲望的表现和协商成为可能。创造了一个独特的空间,在这个空间里,狼人和人类人物是恐惧、阴谋、恐怖和荒谬的源泉。在这样做的过程中,我认为这个当代传统延续了童话故事的既定叙事,作为一个同时具有高度戏剧性和对日常生活的询问的场所。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
All the Better to Eat You with: Sexuality, Violence, and Disgust in ‘Little Red Riding Hood’ Adaptations
In this paper I explore how fears of incorporation, sexual violence, permeability and ‘leakiness’ and metaphorical and literal villains are negotiated within the contemporary fairy tale retelling tradition. Through the close reading and comparative analysis of two twenty-first century Young Adult (YA) retellings of ‘Little Red Riding Hood’ from the 2010s (Sisters Red by Jackson Pearce and Elana K. Arnold’s Red Hood), I argue that this representation and negotiation of sexual, violent, and gustatory appetites is made possible due to the intersection of the fairy tale, horror, and YA genres, creating a unique space in which the lycanthropic and human figures are sources of dread and intrigue and the terrifying and absurd. In doing so, I argue that this contemporary tradition continues the well-established narrative of the fairy tale as a site of simultaneous high dramatics and interrogation of the everyday.
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Childrens Literature
Childrens Literature LITERATURE-
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