{"title":"更适合吃你的:《小红帽》改编中的性、暴力和厌恶","authors":"Nicola Welsh-Burke","doi":"10.3390/literature3040028","DOIUrl":null,"url":null,"abstract":"In this paper I explore how fears of incorporation, sexual violence, permeability and ‘leakiness’ and metaphorical and literal villains are negotiated within the contemporary fairy tale retelling tradition. Through the close reading and comparative analysis of two twenty-first century Young Adult (YA) retellings of ‘Little Red Riding Hood’ from the 2010s (Sisters Red by Jackson Pearce and Elana K. Arnold’s Red Hood), I argue that this representation and negotiation of sexual, violent, and gustatory appetites is made possible due to the intersection of the fairy tale, horror, and YA genres, creating a unique space in which the lycanthropic and human figures are sources of dread and intrigue and the terrifying and absurd. In doing so, I argue that this contemporary tradition continues the well-established narrative of the fairy tale as a site of simultaneous high dramatics and interrogation of the everyday.","PeriodicalId":40504,"journal":{"name":"Childrens Literature","volume":"45 ","pages":"0"},"PeriodicalIF":0.2000,"publicationDate":"2023-10-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"All the Better to Eat You with: Sexuality, Violence, and Disgust in ‘Little Red Riding Hood’ Adaptations\",\"authors\":\"Nicola Welsh-Burke\",\"doi\":\"10.3390/literature3040028\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In this paper I explore how fears of incorporation, sexual violence, permeability and ‘leakiness’ and metaphorical and literal villains are negotiated within the contemporary fairy tale retelling tradition. Through the close reading and comparative analysis of two twenty-first century Young Adult (YA) retellings of ‘Little Red Riding Hood’ from the 2010s (Sisters Red by Jackson Pearce and Elana K. Arnold’s Red Hood), I argue that this representation and negotiation of sexual, violent, and gustatory appetites is made possible due to the intersection of the fairy tale, horror, and YA genres, creating a unique space in which the lycanthropic and human figures are sources of dread and intrigue and the terrifying and absurd. In doing so, I argue that this contemporary tradition continues the well-established narrative of the fairy tale as a site of simultaneous high dramatics and interrogation of the everyday.\",\"PeriodicalId\":40504,\"journal\":{\"name\":\"Childrens Literature\",\"volume\":\"45 \",\"pages\":\"0\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2023-10-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Childrens Literature\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3390/literature3040028\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Childrens Literature","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3390/literature3040028","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
All the Better to Eat You with: Sexuality, Violence, and Disgust in ‘Little Red Riding Hood’ Adaptations
In this paper I explore how fears of incorporation, sexual violence, permeability and ‘leakiness’ and metaphorical and literal villains are negotiated within the contemporary fairy tale retelling tradition. Through the close reading and comparative analysis of two twenty-first century Young Adult (YA) retellings of ‘Little Red Riding Hood’ from the 2010s (Sisters Red by Jackson Pearce and Elana K. Arnold’s Red Hood), I argue that this representation and negotiation of sexual, violent, and gustatory appetites is made possible due to the intersection of the fairy tale, horror, and YA genres, creating a unique space in which the lycanthropic and human figures are sources of dread and intrigue and the terrifying and absurd. In doing so, I argue that this contemporary tradition continues the well-established narrative of the fairy tale as a site of simultaneous high dramatics and interrogation of the everyday.