梅耶的《暮光之城》系列对症解读:一些替代性的教训

Imelda S. Lolowang
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引用次数: 1

摘要

本文分析了斯蒂芬妮·梅耶的《暮光之城》系列小说中贝拉·斯旺这个角色所带来的问题或冲突。《暮光之城》系列小说是一部流行的吸血鬼题材浪漫文学,是《纽约时报》畅销书,由《暮光之城》、《新月》、《月食》和《破晓》四部小说组成。作者运用了基于几位专家意见和浪漫幻想基本理论的对症阅读理论,以及其他几位专家意见来解读这部作品。从主人公贝拉的角度出发,四部《暮光之城》系列明确或含蓄地展现了贝拉作为一个即将成年的年轻女孩所经历的一些问题或冲突。她经历的冲突源于他的家庭、她自己和她的爱情生活。通过分析这一系列小说,作者不仅展示了意识形态问题与主人公所面临的事实或现实问题之间的差异,而且提出了一种新的理解,或者更准确地说,是对贝拉这样一个人的家庭环境、选择和欲望背后的现实的认识。通过这一分析,可以总结出一些价值或讨论,可供文学课的教与学,或供广大读者和电影爱好者参考;铭记大众文学不再是一个可以掉以轻心的话题,在这个媒体和技术的时代,大众文学必须受到批评和受益,而这反过来又极大地影响了大众文化本身。因此,我们也希望在大众文学的讨论中,知识和决策之间能有一个平衡。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A Symptomatic Reading on Meyer’s Twilight Series: Some Vicarious Lessons Overview
This paper analyzes the problems or conflicts related to the character of Bella Swan who colors the plot in the Twilight series written by Stephenie Meyer, a popular literary romance genre with a vampire theme, a New York Times Best Seller, that consists of four (4) series, namely Twilight, New Moon, Eclipse, and Breaking Dawn. The author uses the Symptomatic Reading theory based on several expert opinions and basic theories about romance and fantasy, as well as several other expert opinions about this work. Written from the perspective of the main character, Bella, the four Twilight series explicitly and implicitly show some of the problems or conflicts that Bella experienced as a young girl approaching adulthood. The conflicts she experiences stem from his family, herself, and her love life. By analyzing this series of novels, the author not only presents the differences between ideological matters and the facts or reality of the main character's problems, but also raises a new understanding or perhaps more precisely an acknowledgment of the realities that underlie family circumstances, choices and desires of an individual like Bella. Through this analysis, some values or discussions can be drawn and overviewed and can be taken into consideration for the teaching and learning in literature classes, or for the general readers and movie goers in general; bearing in mind that popular literature is no longer a topic to be taken lightly, but must be criticized and benefited from in this era of media and technology, which, in turn, greatly influences the popular culture itself. Thus, it is hoped as well that there will be a balance in knowledge and decision-making in discussions about popular literature.
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