立陶宛品牌的多模式表征:以“Džiugas”、“Rūta”和“Pieno žvaigždės”为例

Q2 Arts and Humanities
Saulė Juzelėnienė, Aistė Stvolaitė
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引用次数: 0

摘要

立陶宛语言学对品牌形象的具象表征研究尚不深入。本研究旨在探讨立陶宛著名企业品牌Džiugas、Rūta和Pieno žvaigždės所使用的多模态隐喻和转喻。本研究从插图、标志和布局的角度考察了品牌的多模态隐喻和转喻是如何形成认知结构的。当使用图形、徽标和企业使命宣言、品牌历史描述以及网站上其他材料的布局来表达企业话语时,语言和视觉元素的互动尤为重要。分析显示,品牌形象最常见的来源领域是人/生物体、成功、传统和因果、部分对整体、产品对生产者的转喻等。在拟人化的情况下,品牌被定义为具有企业话语中高度重视的品质的个体:成长、积极、适应性、活力和协作。这些隐喻有助于更好地理解品牌,并有助于形成有说服力的品牌形象,与消费者产生共鸣。通过对Džiugas、Rūta和Pieno žvaigždės三个案例中品牌认同的多模态表现形式的分析,揭示了隐喻和转喻在不同表征模式中构建和传递意义的复杂相互作用。每个品牌的插图、标志和布局都结合了视觉元素、排版和调色板,有助于塑造其独特的身份,并唤起特定的联想。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Multimodal Representations of Lithuanian Brands: The Case of “Džiugas”, “Rūta” and “Pieno žvaigždės”
Figurative representations of brand images have not been thoroughly studied in Lithuanian linguistics. The present research aims to investigate the multimodal metaphors and metonymies explored by the famous Lithuanian corporate brands Džiugas, Rūta and Pieno žvaigždės. The work examines how the multimodal metaphors and metonymies of the brands are cognitively structured from the perspective of illustrations, logos and layout. The interaction of verbal and visual elements in corporate discourse is particularly important when expressed using graphics, logos and layout for the corporate mission statements, descriptions of the brand history and other materials available on their websites. The analysis reveals that the most frequent source domains for brand imaging are PERSON/LIVING ORGANISM, SUCCESS, TRADITIONS and CAUSE FOR EFFECT, PART FOR WHOLE, PRODUCT FOR PRODUCER metonymies, among others. In the case of personification, the brand is defined as an individual who possesses the qualities highly valued in corporate discourse: growth, positivity, adaptability, dynamism and collaboration. These metaphors facilitate a better understanding of the brand and contribute to the formation of a persuasive brand image that resonates with consumers. The analysis of the multimodal manifestations of brand identity in the cases of Džiugas, Rūta and Pieno žvaigždės reveals the intricate interplay of metaphor and metonymy in constructing and conveying meaning across various modes of representation. Each brand’s illustrations, logo and layout incorporate visual elements, typography, and colour palettes that contribute to their unique identities and evoke specific associations.
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来源期刊
Respectus Philologicus
Respectus Philologicus Arts and Humanities-Literature and Literary Theory
CiteScore
0.30
自引率
0.00%
发文量
31
审稿时长
12 weeks
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