深蓝中的白色

IF 1.1 2区 社会学 Q2 ANTHROPOLOGY
Nikolas Kosmatopoulos
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引用次数: 0

摘要

虽然帝国船只一直是理论化殖民主义和种族资本主义起源的关键地点,但很少有研究将后殖民船只作为当代种族资本主义持续存在和独特性的分析指标。本文通过对战后希腊航运的批判性评价,探索了一个很大程度上未知的领域。希腊在全球航运业中的主导地位为海上新殖民主义/种族资本主义的政治经济学提供了一个启发性的、但尚未得到充分研究的切入点。这一短暂干预的第一部分以三种方式调用希腊拥有的油轮:作为回应海上能源路线非殖民化和在海上和通过海上制造世界的地缘政治行动者;作为一种浮动的金融工具,通过下线和离岸过程产生全球空间的非地域性等级;作为一个实体场所,种族资本主义的结构,主要是在劳动力方面,激增。文章的第二部分讨论了社区水域防御的某些形式,作为非殖民化和土著努力“收回海洋”的可能途径。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
White in the Deep Blue
Abstract Although the imperial ship has been a key location through which to theorize colonialism and the origins of racial capitalism, little research exists on the postcolonial ship as an analytical indicator for the persistence and distinctiveness of contemporary racial capitalism. This article explores a largely uncharted territory through a critical appraisal of postwar Greek-owned shipping. Greece's dominant place in global shipping offers an illuminating and yet understudied entry point to political economies of neocolonial / racial capitalism at sea. The first part of this brief intervention invokes the Greek-owned tanker in threefold ways: as a geopolitical actor in response to the decolonization of maritime energy routes and to worldmaking at and through the sea; as a floating financial device that produces deterritorialized hierarchies of global space through processes of flagging-out and offshoring; and as a physical site where structures of racial capitalism, mainly in terms of labor, proliferate. The second part of the article discusses certain forms of community waters’ defense as a possible path toward decolonization and Indigenous efforts to “take sea back.”
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来源期刊
Public Culture
Public Culture Multiple-
CiteScore
2.10
自引率
6.70%
发文量
34
期刊介绍: Public Culture is a peer-reviewed interdisciplinary journal of cultural studies, published three times a year—in January, May, and September. It is sponsored by the Department of Media, Culture, and Communication, NYU. A four-time CELJ award winner, Public Culture has been publishing field-defining ethnographies and analyses of the cultural politics of globalization for over thirty years. The journal provides a forum for the discussion of the places and occasions where cultural, social, and political differences emerge as public phenomena, manifested in everything from highly particular and localized events in popular or folk culture to global advertising, consumption, and information networks. Artists, activists, and scholars, both well-established and younger, from across the humanities and social sciences and around the world, present some of their most innovative and exciting work in the pages of Public Culture.
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