从“酷儿男”到“酷儿舞者”:身份的超现实主义表现

IF 0.9 4区社会学 Q2 CULTURAL STUDIES

Cultural Studies-Critical Methodologies Pub Date : 2023-10-02 DOI:10.1177/15327086231201569

Elżbieta Perzycka-Borowska

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引用次数: 0

摘要

表演的自我民族志技术超越了传统的讲故事，旨在消除偏见，唤起共鸣，以及波兰社会的背景。叙事的表演本质通过酷儿舞者的超现实华尔兹的隐喻表现出来，清晰地表达了那些拥抱真实身份的人的梦想，灵感来自《有一个酷儿》。因此，这首诗不仅作为文学作品存在，而且作为社会活动的积极手段，呼吁理解和接受。故事试图利用集体的力量来防止更多的酷儿青年因社会压力和偏见而不幸丧生。

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From “Queer Guy” to “Queer Dancer”: A Surrealistic Performative of Identity

The performative autoethnography technique transcends conventional storytelling, aiming to dismantle prejudices and evoke empathy, also the context of Polish society. The performative nature of the narrative is manifested through the metaphor of a queer dancer’s surreal, waltz, articulating the dreams of those embracing their authentic identities inspiration from “There Was a Queer Guy.” Consequently, this poem does not merely exist as a literary piece but serves as a proactive instrument for social activism, calling for understanding and acceptance. The narrative seeks to harness collective strength to prevent the tragic loss of more queer youth to societal pressures and prejudices.

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来源期刊

Cultural Studies-Critical Methodologies Multiple-

CiteScore

1.40

自引率

16.70%

发文量

期刊介绍： The mandate for this interdisciplinary, international journal is to move methods talk in cultural studies to the forefront, into the regions of moral, ethical and political discourse. The commitment to imagine a more democratic society has been sa guiding feature of cultural studies from the very beginnnig. Contributors to this journal understand that the discourses of a critical, moral methodology are basic to any effort to re-engage the promise of the social sciences and the humanities for democracy in the 21st Century. We seek works that connect critical emanicipatory theories to new forms of social justice and democratic practice are encouraged.