婚姻是枷锁:奥尔科特对《小妇人》中女人的清醒而混乱的看法

Qiu Minghui
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摘要

<p><em>《小妇人》</em>是一部经典的文学作品,吸引了几代读者。它讲述了在美国内战时期长大的四姐妹的故事,探讨了她们与贫困、社会期望和个人欲望的斗争。虽然这本书以描绘坚强的女性角色和她们的自我意识而闻名,但它也强调了女性意识觉醒的局限性和片面性,特别是在婚姻观方面。奥尔科特的进步女性思想是显而易见的,因为她描绘的女性决心开辟自己的道路,而不仅仅是由她们的婚姻状况来定义。然而,与此同时,存在着一种潜在的传统性别角色的情绪和婚姻的理想化,这限制了妇女能力的充分发挥。这种对男性的依赖被当时围绕婚姻的社会规范和信仰进一步强化,比如把婚姻描绘成女性生活的最终目标。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Marriage is Shackle: Alcott’s Sobered and Muddled View of Women in Little Women

Little Women is a classic work of literature that has captivated readers for generations. It tells the story of four sisters who grow up during the Civil War era in America and explores their struggles with poverty, societal expectations, and their own personal desires. While the book is celebrated for its portrayal of strong female characters and their self-awareness, it also highlights the limitations and one-sidedness of women’s consciousness awakening, particularly with regard to the view of marriage. Alcott’s progressive female thoughts are evident, as she portrays women who are determined to carve out their own paths and not be solely defined by their marital status. However, at the same time, there is an underlying sentiment of traditional gender roles and the idealization of marriage, which limits the full expression of a woman’s agency. This dependence on men is further reinforced by the societal norms and beliefs surrounding marriage during that time, such as portraying it as the ultimate goal of a woman’s life.

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