班加马辛编年史上的班加马辛文化中的河流

Dewi Alfianti Tifani
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引用次数: 0

摘要

在班杰尔社会中,河流是重构班杰尔社会的实质性文化背景。Hikayat Banjar本身就是其中一个文本,是对Banjar早期身份的描述的参考。通过文学人类学的研究,在《班贾尔传说》中可以知道,这条河是蒂帕国、达哈国、班贾尔王国三国存在变化体系的一部分。河流也成为一种宗教体系的一部分,它具有创造、治愈和遗忘王室权力结构中人物的超自然功能。这条河也是政治和政府体系的一部分,其中对水基舰队(河流和海洋)的理解使其成为征服王国周围领土的力量,与中国建立外交关系,以及在达哈州统治者和班贾尔王国统治者之间的战争中作为安全防御系统的一部分。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
River in Banjarese Culture at Chronicle of Banjarmasin
In Banjar society, the river is a substantive cultural setting that reconstructs Banjar. Hikayat Banjar itself is one of the texts that is a reference to the depiction of the early identity of Banjar. Through the study of literary anthropology, it can be known in the Tale of Banjar that the river is part of the existential change system of the three kingdoms, the Dipa State, the Daha State, and the Banjar Kingdom. Rivers also became part of a religious system that transcendentally had the functions of creation, healing, and oblivion of figures in the royal power structure. The river is also part of a political and governmental system in which an understanding of the water-based fleet (river and sea) makes it a force to conquer the territories around the kingdom, establish diplomatic relations with China, as well as as part of a security defense system in the war between the rulers of the Daha State and the rulers of the Banjar Kingdom.
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