音乐现场产业竞争与共享经济的现状与过去

IF 0.2 Q4 COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS
Crismary Ospina Gallego, Maria Nuria Lloret Romero, Valeria Herrero Ruiz
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引用次数: 0

摘要

73%的独立音乐人在工作中经历过“压力、焦虑和/或抑郁”(Record Union, 2020)。这项研究的作者将调查中给出的8个主要原因中的4个与音乐比赛期间可能被引爆的情绪有关。本研究试图探讨音乐教学中竞争精神与焦虑、压力、抑郁高发之间的关系;此外,它试图找出它在历史上有多深,专制主义在音乐史上的根源在哪里,以及这些类型的教学法如何影响同事之间分享的练习。在最后一部分,它研究了从历史到现在的社会和艺术合作的概念,展示了通过技术帮助连接音乐家的合作和分享倡议,使他们的职业更容易。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Present and past of competition versus sharing economy in the music live industry
Seventy-three percent of independent musicians have experienced 'stress, anxiety and/or depression' in relation to their work (Record Union, 2020). The authors of this study related 4 of 8 main reasons given in the survey to feelings that could be detonated during a musical competition. This study tries to look into studies related to some information that points to a relation between the competitive spirit in music teaching and the high rates of anxiety, stress, and depression; also, it tries to find how deep it is in history and where are the roots of authoritarianism in the music history, and how those type of pedagogy had affected the exercise of sharing between colleagues. In the final part, it studies the concept of collaboration in society and art through history until the present day, showing collaborative and sharing initiatives that through technology help to connect musicians making easier their profession.
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来源期刊
International Journal of Arts and Technology
International Journal of Arts and Technology Arts and Humanities-Visual Arts and Performing Arts
CiteScore
1.10
自引率
33.30%
发文量
18
期刊介绍: IJART addresses arts and new technologies, highlighting computational art. With evolution of intelligent devices, sensors and ambient intelligent/ubiquitous systems, projects are exploring the design of intelligent artistic artefacts. Ambient intelligence supports the vision that technology becomes invisible, embedded in our natural surroundings, present whenever needed, attuned to all senses, adaptive to users/context and autonomously acting, bringing art to ordinary people, offering artists creative tools to extend the grammar of the traditional arts. Information environments will be the major drivers of culture.
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