布莱克《毒树》中的“去个性化”:荣格的视角

Mahdia Abarchah
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引用次数: 0

摘要

根据精神分析学家卡尔·古斯塔夫·荣格(Carl Gustav Jung)的说法,文学,就像梦和神话一样,可能是个人和集体无意识驱动力的出口。威廉·布莱克的《毒树》就是一个很好的例子。诗中的事件在美学上揭示了构成人的内在人格的一系列动态因素,如影子、假面、骗子、阿尼玛和阿尼玛斯。根据荣格的观点,这些原型应该由自我——心灵的意识部分来实现。只有这样,一个人才能达到一种完整和自我实现的状态——“个性化”。为了让读者深入了解这种精神和谐与平衡的价值,这首诗自相矛盾地表现了一种精神状态,在这种状态下,心灵经历了一种“去个性化”的状态,在这种状态下,自我是脆弱的,不平衡的,由自主的能量驱动。然而,通过对这首诗的隐喻和象征结构的分析,这项研究将证明,正如荣格所相信的那样,心灵不是静态的;然而,其矛盾的机制可能相互作用并达到综合阶段。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“Desindividuation” in Blake’s “A Poison Tree”: A Jungian Perspective
According to the psychoanalyst Carl Gustav Jung, literature, like dreams and myths, could be an outlet for the unconscious drives—personal and collective. William Blake’s “A Poison Tree” is a case in point. The incidents in the poem, aesthetically, uncover a range of dynamic factors that constitute human inner personality such as Shadow, Persona, Trickster, Anima and Animus. According to Jung, these archetypes ought to be realized by the ego—the conscious part of the psyche. Only then, a person could reach a state of wholeness and self-realization—“individuation”. To give the reader an insight into the value of this psychic harmony and balance, the poem, paradoxically, performs a mental situation in which the psyche undergoes a state of “des-individuation”, wherein the ego is weak, unbalanced and driven by autonomous energies. The study, however, through the analysis of the metaphoric and symbolic structure of the poem, will demonstrate, as Jung believes, that the psyche is not static; its paradoxical mechanisms could, yet, interplay and reach a synthesizing phase.
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