¡Moda嗬! !今天的拉丁美洲和拉丁时装设计“今日拉丁美洲和拉丁时装设计”,纽约时装学院博物馆,2023年5月31日至8月27日

IF 0.7 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
Edward Salazar Celis
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引用次数: 0

摘要

点击放大图片点击缩小图片披露声明作者未报告潜在的利益冲突。爱德华·萨拉查·塞利斯爱德华·萨拉查·塞利斯是一位作家、文化评论家和教育家,专门研究拉丁美洲艺术、时尚、设计和视觉文化。他是关于时尚和哥伦比亚中产阶级的《乡愁与渴望》(Nostalgias y Aspiraciones, 2021)的作者,也是《哥伦比亚时尚工作室》(Estudios de la moda en Colombia, 2022)的作者和编辑,是哥伦比亚第一位时尚读者。他正在加州大学圣克鲁斯分校攻读拉丁美洲和拉丁裔研究博士学位。他曾在多个拉丁美洲机构讲授流行文化、身体社会学、设计以及时尚、种族、阶级和殖民遗产之间的纠缠。他在哥伦比亚和该地区从事公共人文领域的工作,并在播客、电视、数字媒体、印刷媒体和广播领域开展合作。他曾在哥伦比亚和美国获得助学金和奖学金。efsalazarc@ucsc.edu
本文章由计算机程序翻译,如有差异,请以英文原文为准。
¡Moda Hoy! Latin American and Latinx Fashion Design Today ¡Moda Hoy! Latin American and Latinx Fashion Design Today, The Museum at Fashion Institute of Technology , New York, NY, May 31–August 27, 2023
Click to increase image sizeClick to decrease image size Disclosure statementNo potential conflict of interest was reported by the author.Additional informationNotes on contributorsEdward Salazar CelisEdward Salazar Celis is a writer, cultural critic, and educator specializing in Latinx and Latin American arts, fashion, design, and visual cultures. He is the author of the book Nostalgias y Aspiraciones (2021) about fashion and Colombian middle class, and the author and editor of Estudios de la moda en Colombia (2022), the first fashion reader in Colombia. He is pursuing his Ph.D. in Latin American and Latino Studies at the University of California (Santa Cruz). He has lectured in various Latin American institutions about popular culture, sociology of the body, design, and the entanglements between fashion, race, class, and colonial legacies. He works in public humanities in Colombia and within the region thanks to his collaborations in podcasting, television, digital media, printing media, and radio. He has been awarded grants and fellowships in Colombia and the United States. efsalazarc@ucsc.edu
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来源期刊
CiteScore
2.10
自引率
10.00%
发文量
41
期刊介绍: The importance of studying the body as a site for the deployment of discourses is well-established in a number of disciplines. By contrast, the study of fashion has, until recently, suffered from a lack of critical analysis. Increasingly, however, scholars have recognized the cultural significance of self-fashioning, including not only clothing but also such body alterations as tattooing and piercing. Fashion Theory takes as its starting point a definition of “fashion” as the cultural construction of the embodied identity. It provides an interdisciplinary forum for the rigorous analysis of cultural phenomena ranging from footbinding to fashion advertising.
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