新冠肺炎时期北京双年展中国艺术家审美思想的变迁

Huan Zhou
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引用次数: 0

摘要

本研究探讨了中国美学在新冠肺炎疫情挑战下的转型之旅,并以北京双年展为视角,探讨了艺术表达范式的转变。疫情前,双年展强调丰富世界、文化融合、丝绸之路、记忆、理想生活等全球性主题。然而,疫情引发了一场深刻的蜕变。在新冠肺炎疫情期间,展览以生活反思、抗疫努力和希望为主题,反映了中国美学更广泛的转变。它深入研究了从全球叙事到局部的、以人为中心的表达的演变。疫情迫使艺术家们进行深刻反思,创作出了思考存在问题、展示人类韧性的作品。审美表达从宏大的全球理想转向了当地生活体验的直接性。这项研究强调了希望和团结在当代中国艺术中的重要作用,将它们描绘成黑暗中不确定的光明灯塔。这项研究揭示了艺术领域发生的深刻变化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Changes in The Aesthetic Thoughts of Chinese Artists in Beijing Biennale during the COVID-19 Period
This study explores the transformative journey of Chinese aesthetics amidst the challenges of the COVID-19 pandemic, focusing on the Beijing Biennale as a lens into the shifting paradigms of artistic expression. Before the pandemic, the Biennale emphasized global themes like enriching the world, cultural integration, the Silk Road, memory, and ideal life. However, the outbreak prompted a profound metamorphosis. During the COVID-19 period, the exhibition pivoted toward themes of life reflection, anti-epidemic efforts, and hope, mirroring a broader transformation in Chinese aesthetics. it delves into the evolution from global narratives to localized, human-centered expressions. The pandemic compelled artists to reflect deeply, resulting in works that pondered existential questions and showcased human resilience. Aesthetic expressions shifted from grand global ideals to the immediacy of local life experiences. The study highlights the vital role of hope and solidarity in contemporary Chinese art, portraying them as beacons of light amid the darkness of uncertainty. This research illuminates the profound transformations that have taken place in the artistic landscape.
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