《世界公民与统治者:美国儿童与帝国的地图教学》作者:马赫希德·马亚尔

Yukako Otori
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After the Gilded Age heralded a new era in cartographic imagination, America's imperial advancement led to the development of geographical education through formal schooling and informal learning. What Mayar calls \"the Treffpunkte between the nation and its spatially unsettled empire\" (5) was accessible to children from the beginning. Indeed, children emerged as a target audience whose cognitive map should be crafted in a way to train them as future stewards of the American empire. Mayar takes the argument further as she investigates child-produced quizzes and other underrecognized sources to visualize children as active users of geographical information, both factual and imagined, real and desired. Chapter 1 tracks the making of American geography with a focus on its pedagogical agenda. At the center of Mayar's analysis are a series of primers and textbooks that guided American children, mainly native-born whites, to comprehend the world as an extension of their home and neighborhood. As Mayar shows, this mindset defined the ways that Americans navigated geographical facts and images for years to come. In Chapter 2, she takes us outside the classroom through scanning the domestic use of dissected maps and picture puzzles as interactive tools of learning. By the 1890s, these educational playthings became popular items of home entertainment among middle-class families. Putting together small pieces in a specific arrangement and completing a geographically scripted image allowed children to play with the world visually and tangibly, thereby leading them to master the contours of the American empire. At the time of the Spanish-American War, mass-produced picture puzzles kept them updated about its geopolitical transformations. In this chapter Mayar recasts childhood as performance in the footsteps of Robin Bernstein, Sabine Frühstück, and others trained in cultural studies, yet her taste for cultural geography opens new vistas. Mayar's narrative becomes more child-centric in Chapters 3 and 4, where she highlights children as quiz makers and letter writers whose texts were published in Harper's Young People and St. Nicholas, two of the most widely circulated American children's periodicals of the time. She is fully aware that these sources are available for scholarly analysis because they percolated through adult editorial filters. Still, her tactful analysis reveals some patterns of how a certain fraction of American children—geography-savvy boys and girls raised in middle- or upper-class families, predominantly white and native-born—grasped distant places and crafted spatial narratives of their own. Chapter 3, where Mayar teases out their curiosity and fun-driven nature from the archive of child-composed puzzles, represents the book's methodological innovativeness. In their storytelling and puzzle-making endeavors, children associated [End Page 512] different places to each other in playful ways so that they defied the political and socioeconomic orders envisaged by American adults. In the last chapter, Mayar probes letters sent to the two magazines from young readers, including those living abroad. While their youthful imaginings did not always follow the pedagogic agenda of the time, many internalized nationalistic pride and racialized perspectives on Indigenous and foreign populations. Their behaviors subverted some of the expectations that adults imposed on them but not necessarily the American empire itself. Mayar's superb analysis notwithstanding, race could be more thoroughly adopted throughout the book, but especially in this last chapter. 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Putting together small pieces in a specific arrangement and completing a geographically scripted image allowed children to play with the world visually and tangibly, thereby leading them to master the contours of the American empire. At the time of the Spanish-American War, mass-produced picture puzzles kept them updated about its geopolitical transformations. In this chapter Mayar recasts childhood as performance in the footsteps of Robin Bernstein, Sabine Frühstück, and others trained in cultural studies, yet her taste for cultural geography opens new vistas. Mayar's narrative becomes more child-centric in Chapters 3 and 4, where she highlights children as quiz makers and letter writers whose texts were published in Harper's Young People and St. Nicholas, two of the most widely circulated American children's periodicals of the time. She is fully aware that these sources are available for scholarly analysis because they percolated through adult editorial filters. 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引用次数: 0

摘要

《世界公民与统治者:美国儿童与帝国的制图教学法》作者:马希德·马雅尔·大托里幸子作者:Mahshid Mayar。教堂山:北卡罗来纳大学出版社,2022年。布$95.00,纸$32.95,电子书$25.99。Mahshid Mayar的《世界的公民和统治者:美国儿童和帝国的地图教育学》是一本引人入胜的书,对于那些对儿童如何学习理解世界及其在其中的位置感兴趣的学者来说,这是一本引人入胜的书。这本书也是对跨国美国研究的一个有吸引力的补充,因为它探讨了19世纪90年代,当美国成长为一个海洋帝国时,美国白人儿童如何与日常视野之外的世界接触。在镀金时代预示着制图想象的新时代之后,美国帝国主义的进步通过正规学校教育和非正式学习促进了地理教育的发展。Mayar所说的“国家和其空间上不稳定的帝国之间的Treffpunkte”从一开始就对孩子们开放。事实上,儿童成为了一个目标受众,他们的认知地图应该被精心设计,以培养他们成为美国帝国未来的管家。Mayar进一步研究了儿童制作的测验和其他未被认可的来源,将儿童想象成地理信息的积极使用者,无论是事实的还是想象的,真实的还是期望的。第一章追踪美国地理的形成,重点关注其教学议程。马亚尔分析的核心是一系列指导美国儿童(主要是本土出生的白人)理解世界是他们家庭和社区的延伸的初级读物和教科书。正如马亚尔所示,这种心态决定了美国人在未来几年里驾驭地理事实和图像的方式。在第二章中,她通过扫描国内使用的解剖地图和图片拼图作为互动学习工具,将我们带到了课堂之外。到19世纪90年代,这些具有教育意义的玩具成为中产阶级家庭中流行的家庭娱乐项目。把小碎片按特定的顺序组合在一起,完成一个地理上的脚本图像,让孩子们在视觉上和有形的世界中玩耍,从而引导他们掌握美国帝国的轮廓。在美西战争期间,大量生产的拼图让他们了解到地缘政治变化的最新情况。在这一章中,玛雅沿着罗宾·伯恩斯坦(Robin Bernstein)、萨宾·弗赫斯塔克(Sabine frhst ck)和其他受过文化研究训练的人的脚步,将童年重塑为表演,但她对文化地理学的品味开辟了新的前景。在第3章和第4章中,玛雅的叙述变得更加以儿童为中心,她强调儿童是测验者和写信者,他们的文本发表在哈珀的年轻人和圣尼古拉斯,这是当时最广泛传播的两本美国儿童期刊。她充分意识到,这些来源可以用于学术分析,因为它们是通过成人编辑过滤器过滤出来的。尽管如此,她机智的分析还是揭示了一些模式,说明一定比例的美国孩子——在中产阶级或上层阶级家庭中长大的、对地理很熟悉的男孩和女孩,主要是白人和本土出生的孩子——是如何把握遥远的地方,并精心打造自己的空间叙事的。第三章,玛雅从儿童拼图的档案中梳理出他们的好奇心和乐趣驱动的天性,代表了这本书在方法论上的创新。在他们讲故事和制作谜题的努力中,孩子们以有趣的方式把不同的地方联系在一起,这样他们就违背了美国成年人所设想的政治和社会经济秩序。在最后一章中,Mayar调查了年轻读者寄给这两家杂志的信,其中包括那些生活在国外的读者。虽然他们年轻时的想象并不总是遵循当时的教育议程,但许多人内化了民族主义自豪感和对土著和外国人口的种族化观点。他们的行为颠覆了一些成年人强加给他们的期望,但不一定是美利坚帝国本身。尽管马亚尔的分析非常出色,但种族问题可以更彻底地贯穿全书,尤其是在最后一章。随着Mayar深入世界……
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Citizens and Rulers of the World: The American Child and the Cartographic Pedagogies of Empire by Mahshid Mayar (review)
Reviewed by: Citizens and Rulers of the World: The American Child and the Cartographic Pedagogies of Empire by Mahshid Mayar Yukako Otori Citizens and Rulers of the World: The American Child and the Cartographic Pedagogies of Empire. By Mahshid Mayar. Chapel Hill: University of North Carolina Press, 2022. xvi + 240 pp. Cloth $95.00, paper $32.95, e-book $25.99. Mahshid Mayar's Citizens and Rulers of the World: The American Child and the Cartographic Pedagogies of Empire is a page-turner for scholars interested in how children learn to make sense of the world and their place in it. This book is also an appealing addition to transnational American Studies as it explores how [End Page 511] white American children engaged with the world beyond their daily horizons in the 1890s, when the United States grew into an oceanic empire. After the Gilded Age heralded a new era in cartographic imagination, America's imperial advancement led to the development of geographical education through formal schooling and informal learning. What Mayar calls "the Treffpunkte between the nation and its spatially unsettled empire" (5) was accessible to children from the beginning. Indeed, children emerged as a target audience whose cognitive map should be crafted in a way to train them as future stewards of the American empire. Mayar takes the argument further as she investigates child-produced quizzes and other underrecognized sources to visualize children as active users of geographical information, both factual and imagined, real and desired. Chapter 1 tracks the making of American geography with a focus on its pedagogical agenda. At the center of Mayar's analysis are a series of primers and textbooks that guided American children, mainly native-born whites, to comprehend the world as an extension of their home and neighborhood. As Mayar shows, this mindset defined the ways that Americans navigated geographical facts and images for years to come. In Chapter 2, she takes us outside the classroom through scanning the domestic use of dissected maps and picture puzzles as interactive tools of learning. By the 1890s, these educational playthings became popular items of home entertainment among middle-class families. Putting together small pieces in a specific arrangement and completing a geographically scripted image allowed children to play with the world visually and tangibly, thereby leading them to master the contours of the American empire. At the time of the Spanish-American War, mass-produced picture puzzles kept them updated about its geopolitical transformations. In this chapter Mayar recasts childhood as performance in the footsteps of Robin Bernstein, Sabine Frühstück, and others trained in cultural studies, yet her taste for cultural geography opens new vistas. Mayar's narrative becomes more child-centric in Chapters 3 and 4, where she highlights children as quiz makers and letter writers whose texts were published in Harper's Young People and St. Nicholas, two of the most widely circulated American children's periodicals of the time. She is fully aware that these sources are available for scholarly analysis because they percolated through adult editorial filters. Still, her tactful analysis reveals some patterns of how a certain fraction of American children—geography-savvy boys and girls raised in middle- or upper-class families, predominantly white and native-born—grasped distant places and crafted spatial narratives of their own. Chapter 3, where Mayar teases out their curiosity and fun-driven nature from the archive of child-composed puzzles, represents the book's methodological innovativeness. In their storytelling and puzzle-making endeavors, children associated [End Page 512] different places to each other in playful ways so that they defied the political and socioeconomic orders envisaged by American adults. In the last chapter, Mayar probes letters sent to the two magazines from young readers, including those living abroad. While their youthful imaginings did not always follow the pedagogic agenda of the time, many internalized nationalistic pride and racialized perspectives on Indigenous and foreign populations. Their behaviors subverted some of the expectations that adults imposed on them but not necessarily the American empire itself. Mayar's superb analysis notwithstanding, race could be more thoroughly adopted throughout the book, but especially in this last chapter. As Mayar delves into the world...
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