E. Zamyatin的小说《我们》通过生物诗学的棱镜

IF 0.1 0 LANGUAGE & LINGUISTICS
Tatiana T. Davydova
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引用次数: 0

摘要

本文分析了美国斯拉夫主义者布雷特·库克在扎米亚金的小说《我们》中关于人性的专著,特别关注了作者的研究方法、生物诗学和进化心理学,在此基础上对小说《我们》及其俄文和英文剧本文本进行了综合分析,对《我们》的体裁内容、赫胥黎的反乌托邦、奥威尔与《我们》中心理主义的表现形式,并与陀思妥耶夫斯基、托尔斯泰散文中的心理主义进行比较。库克勾勒出了最有希望的科学方向:小说《我们》的创作历史及其文本批评,“塞拉皮恩兄弟”的批评家和导师扎米亚金的美学与《我们》作者的文学技巧的比较,这部作品的结局和主要人物D-503和I -330的形象的解释。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
E. Zamyatin’s novel “We” through the prism of biopoetics
The review analyzes the monograph by the American Slavist Brett Cook about human nature in the novel “We” by E.I. Zamyatin, special attention is drawn to the researcher’s methodology, biopoetics and evolutionary psychology, to a comprehensive analysis of the novel “We” and the Russian and English script texts based on this work, the study of the genre content of “We”, the dystopias of O. Huxley, J. Orwell and forms of psychologism in “We” in comparison with the psychologism of the prose of F. Dostoevsky and L. Tolstoy. The most promising scientific directions outlined by Cook are revealed: the creative history of the novel “We” and its textual criticism, the comparison of the aesthetics of Zamyatin the critic and mentor of the “Serapion Brothers” with the literary techniques of the author of “We”, the interpretation of the finale of this work and the images of the main characters D-503 and I -330.
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