跨界、越界与大众化:粤剧电影《白蛇》研究

IF 0.8 4区社会学 Q2 AREA STUDIES

European Review Pub Date : 2023-10-20 DOI:10.1017/s1062798723000364

Wei Feng

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引用次数: 0

摘要

通过修复和调解来保护衰落的戏曲遗产，往往无法吸引更广泛的受众。粤剧电影《白蛇》(2021)以其不同寻常的运用电脑生成技术和各种媒体的越界结合，为戏曲在年轻观众中的普及提供了一种新的途径。为了克服电影和戏曲之间的审美差异，这部电影转变了宋朝山水画和武侠片的媒介特性和跨媒介潜力，使它们适应新的风景和舞蹈环境。《白蛇》通过改变原剧的感官和符号学形态，在跨媒体方面为新一代戏曲遗产的普及开辟了一条新路。

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Transmediation, Transgression and Popularization: A Study of the Cantonese Opera Film White Snake

The preservation of declining xiqu heritage through remediation and transmediation has often been ineffective in attracting a wider audience. The Cantonese opera film White Snake (2021), with its unusual utilization of computer-generated technology and transgressive combination of various media, offers a fresh approach to popularizing xiqu among younger audiences. To overcome aesthetic differences between cinema and xiqu , the film transforms medium specificities and transmedial potentials of Song landscape paintings and martial-arts film, adapting them to a new scenic and choreographic setting. By altering the original play’s sensory and semiotic modalities, White Snake ’s transmedia aspects blaze a new trail for popularizing xiqu heritage for a new generation.

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来源期刊

European Review AREA STUDIES-

CiteScore

1.40

自引率

0.00%

发文量

期刊介绍： The European Review is a unique interdisciplinary international journal covering a wide range of subjects. It has a strong emphasis on Europe and on economics, history, social science, and general aspects of the sciences. At least two issues each year are devoted mainly or entirely to a single subject and deal in depth with a topic of contemporary importance in Europe; the other issues cover a wide range of subjects but may include a mini-review. Past issues have dealt with: Who owns the Human Genome; From decolonisation to post-colonialism; The future of the welfare state; Democracy in the 21st century; False confessions after repeated interrogation; Living in real and virtual worlds.