模仿自然意味着什么?仿生设计的类型学

Q1 Arts and Humanities
Alessio Gerola, Zoë Robaey, Vincent Blok
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引用次数: 0

摘要

为了创造新的、更可持续的技术,设计师们转向大自然寻求灵感和创新。仿生设计(来自希腊语bios,生命,模仿,模仿)是有意识地模仿生物模型来解决当今的技术和生态挑战。现在有许多不同的方法从自然中汲取灵感作为设计的模型,如仿生学,仿生学,永续栽培,生态工程等。这种实践的多样性依次带来了一系列不同的承诺,包括可持续性、增强的弹性、多功能和较低的风险程度。我们如何理解现有实践和技术的这种异质混合物,以及与之相关的众多承诺?我们建议仿生学方法的类型学将提供一个有用的解释学框架,以理解将这种多样化的景观拉向不同方向的不同张力。这是通过对不同领域的仿生设计和仿生哲学的文献进行批判性分析来实现的,以便得出关于模仿自然的意义和价值的概念和规范假设。然后将这两个维度相交,得出一个由六种不同的仿生类型组成的分析网格,根据其具体的概念假设和指导规范,可以对现有和可能的仿生方法、实践和技术进行分类。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
What Does it Mean to Mimic Nature? A Typology for Biomimetic Design
Abstract In an effort to produce new and more sustainable technologies, designers have turned to nature in search of inspiration and innovation. Biomimetic design (from the Greek bios , life, mimesis , imitation) is the conscious imitation of biological models to solve today's technical and ecological challenges. Nowadays numerous different approaches exist that take inspiration from nature as a model for design, such as biomimicry, biomimetics, bionics, permaculture, ecological engineering, etc. This variety of practices comes in turn with a wide range of different promises, including sustainability, increased resilience, multi-functionality, and a lower degree of risk. How are we to make sense of this heterogeneous amalgam of existing practices and technologies, and of the numerous promises attached to them? We suggest that a typology of biomimetic approaches would provide a useful hermeneutic framework to understand the different tensions that pull this variegated landscape in different directions. This is achieved through a critical analysis of the literature in different fields of biomimetic design and the philosophy of biomimicry, in order to derive conceptual and normative assumptions concerning the meaning and value of the imitation of nature. These two dimensions are then intersected to derive an analytical grid composed of six different biomimetic types, which enable the classification of existing and possible biomimetic approaches, practices, and technologies according to their specific conceptual assumptions and guiding norms.
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来源期刊
Philosophy and Technology
Philosophy and Technology Arts and Humanities-Philosophy
CiteScore
10.40
自引率
0.00%
发文量
98
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