伪装与拟态作为文化技术的史前史注释

IF 0.1 0 ART
Caroline van Eck
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引用次数: 0

摘要

人类和动物伪装之间的关系很少被研究。目前的学术研究集中在伪装的进化和军事方面,这掩盖了早期关于伪装和模仿是动物和人类共同特征的想法。本文通过重构这些早期观点的一些主要元素,认为在人类中,伪装应该被视为一种文化技术。本文讨论了伪装“史前”的三个阶段,也就是三种不同的文化背景:狩猎时期,动物和人类都有伪装行为;人类的伪装行为,从模拟的角度来分析,从动物行为的角度来构思或描绘;迷彩被视为新兴人类物质文化的表现。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Notes on the Prehistory of Camouflage and Mimicry as Cultural Techniques
The relations between human and animal camouflage have rarely been investigated. Current scholarship, focusing on the evolutionary and military aspects of camouflage, has overshadowed earlier thinking about camouflage and mimicry as shared animal and human features. Reconstructing some of the main elements of those early views, this article argues that, in humans, camouflage should be considered as a cultural technique. Three stages in the “prehistory” of camouflage, which are also three varieties of cultural contexts, are discussed: the hunt, in which camouflage behavior is shared by animals and humans; camouflage behavior among humans, analyzed in terms of simulation and conceived or figured in terms of animal behavior; and camouflage seen as the manifestation of emerging human material culture.
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