{"title":"文化的传导机制。第1部分","authors":"Dmitry Kurakin","doi":"10.17323/1728-192x-2023-3-9-52","DOIUrl":null,"url":null,"abstract":"The first part of the article introduces a new research program that focuses on the constitutive role of emotions, affect, and their intensity in meaning-making. It opposes the existing broad tradition that effectively posits culture as information and sees cultural processes as coding, transferring, and processing information. I suggest that such a “cybernetic” paradigm of culture stems from the implicit or explicit domination of the computational models of cognition in sociology. However, current progress in cognitive neuroscience and its theoretical comprehension makes these models inadequate. The ongoing shift to distributed models of cognition calls for an adjustment of the concept of culture regarding its “vertical”, emotional dimension. Instead of seeing emotions as an “amplifier” of pre-existing cultural meanings or as a “fuel” of social processes, we should see emotions as an ingredient of an emergent synthesis that creates culture. The first part of the article introduces a historical-sociological reconstruction of theories recognizing an integral emotional dimension of culture; this is opposed to the entire sub-discipline of the sociology of emotions that broadly describes the mutual influences between social life and emotions as a human psychic trait. In the context of the ongoing debates about a cognitive turn in sociology, this historical-sociological reconstruction allows me to build a Durkheimian theory of cathectic mechanisms of culture based on the re-interpretation of the Freudian concept of cathexis. The article also contains the basic principles and implications of the sociological theory of cathexis.","PeriodicalId":43314,"journal":{"name":"Sociologiceskoe Obozrenie","volume":"21 1","pages":"0"},"PeriodicalIF":0.3000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Cathectic Mechanisms of Culture. Part 1\",\"authors\":\"Dmitry Kurakin\",\"doi\":\"10.17323/1728-192x-2023-3-9-52\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The first part of the article introduces a new research program that focuses on the constitutive role of emotions, affect, and their intensity in meaning-making. It opposes the existing broad tradition that effectively posits culture as information and sees cultural processes as coding, transferring, and processing information. I suggest that such a “cybernetic” paradigm of culture stems from the implicit or explicit domination of the computational models of cognition in sociology. However, current progress in cognitive neuroscience and its theoretical comprehension makes these models inadequate. The ongoing shift to distributed models of cognition calls for an adjustment of the concept of culture regarding its “vertical”, emotional dimension. Instead of seeing emotions as an “amplifier” of pre-existing cultural meanings or as a “fuel” of social processes, we should see emotions as an ingredient of an emergent synthesis that creates culture. The first part of the article introduces a historical-sociological reconstruction of theories recognizing an integral emotional dimension of culture; this is opposed to the entire sub-discipline of the sociology of emotions that broadly describes the mutual influences between social life and emotions as a human psychic trait. In the context of the ongoing debates about a cognitive turn in sociology, this historical-sociological reconstruction allows me to build a Durkheimian theory of cathectic mechanisms of culture based on the re-interpretation of the Freudian concept of cathexis. The article also contains the basic principles and implications of the sociological theory of cathexis.\",\"PeriodicalId\":43314,\"journal\":{\"name\":\"Sociologiceskoe Obozrenie\",\"volume\":\"21 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2023-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Sociologiceskoe Obozrenie\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.17323/1728-192x-2023-3-9-52\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"SOCIOLOGY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Sociologiceskoe Obozrenie","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.17323/1728-192x-2023-3-9-52","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"SOCIOLOGY","Score":null,"Total":0}
The first part of the article introduces a new research program that focuses on the constitutive role of emotions, affect, and their intensity in meaning-making. It opposes the existing broad tradition that effectively posits culture as information and sees cultural processes as coding, transferring, and processing information. I suggest that such a “cybernetic” paradigm of culture stems from the implicit or explicit domination of the computational models of cognition in sociology. However, current progress in cognitive neuroscience and its theoretical comprehension makes these models inadequate. The ongoing shift to distributed models of cognition calls for an adjustment of the concept of culture regarding its “vertical”, emotional dimension. Instead of seeing emotions as an “amplifier” of pre-existing cultural meanings or as a “fuel” of social processes, we should see emotions as an ingredient of an emergent synthesis that creates culture. The first part of the article introduces a historical-sociological reconstruction of theories recognizing an integral emotional dimension of culture; this is opposed to the entire sub-discipline of the sociology of emotions that broadly describes the mutual influences between social life and emotions as a human psychic trait. In the context of the ongoing debates about a cognitive turn in sociology, this historical-sociological reconstruction allows me to build a Durkheimian theory of cathectic mechanisms of culture based on the re-interpretation of the Freudian concept of cathexis. The article also contains the basic principles and implications of the sociological theory of cathexis.
期刊介绍:
Russian Sociological Review is an academic peer-reviewed journal of theoretical, empirical and historical research in social sciences. Russian Sociological Review publishes four issues per year. Each issue includes original research papers, review articles and translations of contemporary and classical works in sociology, political theory and social philosophy. Russian Sociological Review invites scholars from all the social scientific disciplines to submit papers which address the fundamental issues of social sciences from various conceptual and methodological perspectives. Understood broadly the fundamental issues include but not limited to: social action and agency, social order, narrative, space and time, mobilities, power, etc. Russian Sociological Review covers the following domains of scholarship: -Contemporary and classical social theory -Theories of social order and social action -Social methodology -History of sociology -Russian social theory -Sociology of space -Sociology of mobilities -Social interaction -Frame analysis -Ethnomethodology and conversation analysis -Cultural sociology -Political sociology, philosophy and theory -Narrative theory and analysis -Human geography and urban studies