波德莱尔《恶之花》中的丑陋特质

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引用次数: 0

摘要

“丑”是对不和谐事物的审美范畴,是看待世界的重要方式。诗人波德莱尔把目光转向了“丑”的世界,对它进行描绘、赞美、颂扬,把它和美放在同一水平上,让读者敢于直面它。在《恶之花》中,波德莱尔从环境和形象两个维度对丑进行了探索。在经历了下层阶级的悲惨生活后,他将注意力转向了摇摇欲坠的巴黎,并赞美了撒旦的“伟大”。乞丐、妓女、酒鬼、赌徒,这些以前在文学中被痛斥的人物,都成为波德莱尔深刻分析的对象。波德莱尔试图从这些丑陋的现象中挖掘美,打开了审视丑的美学之门。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Ugly Qualities in Baudelaire's the Flowers of Evil
"Ugliness" is an aesthetic category for discordant things, and an important way to see the world. Poet Baudelaire turned his attention to the world of "ugliness", depicting it, praising it and celebrating it, putting it on the same level as beauty, and daring readers to face it directly. In The Flowers of Evil, Baudelaire shows his exploration of ugliness from two dimensions: environment and image. He turns his attention to the crumbling Paris after the miserable life of the underclass and praises the "greatness" of Satan. Beggars, prostitutes, drunkards and gamblers, all of whom were previously reviled in literature, become the objects of Baudelaire's profound analysis. Baudelaire tries to excavate beauty from these ugly phenomena, opening the door of aesthetics to the examination of ugliness.
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