{"title":"可知","authors":"Ben Parker","doi":"10.1017/s1060150323000219","DOIUrl":null,"url":null,"abstract":"Raymond Williams influentially claimed that the history of the English novel could be organized through the problem of the “knowable community.” This keyword entry rehearses, clarifies, and extends the idea of the “knowable” in Williams's theory of the novel. I argue that the dialectical (neither entirely subjective nor entirely objective) dimension of the concept has been overlooked, with attendant consequences for the important transition between George Eliot and Thomas Hardy in Williams's account.","PeriodicalId":54154,"journal":{"name":"VICTORIAN LITERATURE AND CULTURE","volume":"28 1","pages":"0"},"PeriodicalIF":0.6000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Knowable\",\"authors\":\"Ben Parker\",\"doi\":\"10.1017/s1060150323000219\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Raymond Williams influentially claimed that the history of the English novel could be organized through the problem of the “knowable community.” This keyword entry rehearses, clarifies, and extends the idea of the “knowable” in Williams's theory of the novel. I argue that the dialectical (neither entirely subjective nor entirely objective) dimension of the concept has been overlooked, with attendant consequences for the important transition between George Eliot and Thomas Hardy in Williams's account.\",\"PeriodicalId\":54154,\"journal\":{\"name\":\"VICTORIAN LITERATURE AND CULTURE\",\"volume\":\"28 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.6000,\"publicationDate\":\"2023-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"VICTORIAN LITERATURE AND CULTURE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1017/s1060150323000219\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"VICTORIAN LITERATURE AND CULTURE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/s1060150323000219","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
Raymond Williams influentially claimed that the history of the English novel could be organized through the problem of the “knowable community.” This keyword entry rehearses, clarifies, and extends the idea of the “knowable” in Williams's theory of the novel. I argue that the dialectical (neither entirely subjective nor entirely objective) dimension of the concept has been overlooked, with attendant consequences for the important transition between George Eliot and Thomas Hardy in Williams's account.
期刊介绍:
Victorian Literature and Culture encourages high quality original work concerned with all areas of Victorian literature and culture, including music and the fine arts. The journal presents work at the cutting edge of current research, including exciting new studies in untouched subjects or new methodologies. Contributions are welcomed from internationally established scholars as well as younger members of the profession. The Editors" topic for 2005 is "Fin-de-Siècle Women Poets". Review essays form a central part of the journal, and offer an authoritative view of important subjects together with a list of relevant works that serves as an up-to-date bibliography.