现代抒情诗:从诗体到认知范畴

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摘要

文学体裁对于文学学者和文学学生来说都是一个重要的概念。然而,在定义给定文本最适合哪种文学体裁时,意见分歧是很常见的。然而,我在这里的研究从那个地方退了一步,看看评论家和其他学者如何首先将文学流派概念化。我的个案研究是现代抒情诗,一个著名的文学体裁在诗学。这些从未发表过的研究结果包括对一项非正式调查的回复,该调查是在德国奥斯纳布尔克大学举行的国际认知诗学会议上进行的。我首先讨论手册的定义和示例。然后,我将它们与学术会议参与者的结果进行比较。结果有时重叠,与手册中公布的标准一致,尽管存在差异。我考虑了参与者可能会选择某些类型的例子的各种原因,最后提出了诗学认知未来研究的一些主题建议。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Modern Lyric Poems: From Poetic Genre to Cognitive Category
Literary genres are important concepts for literary scholars and students of literature alike. Yet differences in opinion are common when defining which literary genre a given text fits best. However, my study here takes a step back from that spot to see how critics and other academics can conceptualize a literary genre in the first place. My case study is the modern lyric poem, a well-known literary genre in poetics. The results, never before published, include replies to an informal survey carried out at an international cognitive poetics conference at Osnabrück University in Germany. I begin by discussing handbook definitions and examples named. Then I compare them to results obtained from participants at the academic conference. Results sometimes overlap, aligning with criteria published in handbooks, although there are variations. I consider various reasons why participants might have selected certain examples of the genre, before ending with some suggestions of topics for future research on cognition in poetics.
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