道德监管与性别暴力:在Poile Sengupta的《Mangalam》中对荣誉与羞耻的描绘

Bhawna Singh, Ansa Hameed, Sohaib Alam
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摘要

论文。本文旨在研究Poile Sengupta的戏剧《Mangalam》,分析这部戏剧如何提出反对社会强制的男性和女性模式,以及性暴力和心理暴力及其在家庭领域对女性的影响。的概念。该研究通过森古普塔的《Mangalam》中荣誉和羞耻的概念,展望了道德监管的影响,并分析了家庭,一个父权制的微观单位,是对妇女施加暴力的主要场所。本研究进一步试图通过研究森古普塔的《曼加拉姆》中对婚姻暴力的描绘,来检验通过婚姻制度而持续存在的人际暴力。结果与结论。森古普塔通过讨论的戏剧呈现了当代社会问题,并质疑了由父权制持续存在的道德监管和暴力。这是一部由女性创作的戏剧作品,通过抗议的声音挑战了男性主导的叙事,并解决了对女性身体和精神的暴力侵害。创意。这项研究的独创性在于研究作为父权制最小单位的婚姻和家庭制度中基于性别的暴力的潜在原因,同时也理解女性剧作家的文学表现作为抵抗文学的相关性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Moral Policing and Gender-based Violence: Portrayal of Honour and Shame in Poile Sengupta’s Mangalam
Thesis. The article aims to study Poile Sengupta’s play entitled Mangalam to analyse how the play raises a voice against society’s enforced models of masculinity and femininity, and sexual and psychological violence and its impact on women in the domestic sphere. Concept. The study foregrounds the impact of moral policing via the notions of honour and shame in Sengupta’s Mangalam and analyses that family, a micro-unit of patriarchy is the primary location of violence inflicted on women. The present study further attempts to examine interpersonal violence perpetuated through the institution of marriage through a study of the portrayal of marital violence in Sengupta’s Mangalam. Results and Conclusion. Sengupta presents contemporary social issues and interrogates moral policing and violence perpetuated by patriarchy through the discussed play. It presents a dramatic piece written by a woman, thus challenging the male-dominated narratives through a voice of protest and addressing violence inflicted on a woman’s body and psyche. Originality. The originality of the study relies on examining the underlying causes of gender-based violence within the institution of marriage and family as the smallest unit of patriarchy while also understanding the relevance of literary representations by women dramatists as resistance literature.
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