鞑靼刺绣:论史学问题

Dina F. Gatina-Shafikova
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引用次数: 0

摘要

本文致力于鞑靼人刺绣研究的史学研究。本文阐述了研究的主要方向;论述了学术著作和科普著作的特点。人们发现,关于鞑靼刺绣的第一批出版物可以追溯到19世纪末。这门学科一直发展到现在。学者们提出了不同类型的鞑靼刺绣的出现历史,并对研究的深度进行了分析。所进行的研究提供了将各种来源的语料库系统化的机会。第一批关于鞑靼刺绣的出版物的特点是对手工艺产品的特别兴趣,这代表了当时民间艺术最引人注目的例子。后来,科学兴趣的焦点转移到喀山-鞑靼刺绣的经典样品上。苏联科学院喀山分院文学语言和历史研究所的民族志学者在1970-1980年代的考察旅行中,作为“鞑靼人的历史和民族志地图集”科学项目的一部分,从国家的主要博物馆、伏尔加-乌拉尔地区的鞑靼人定居点和其他民族社区密集居住的地区收集了材料。这一研究领域导致了鞑靼刺绣工艺多样性问题的问题化。作者在研究某种刺绣及其起源时提到了它,从中世纪开始。其他研究者试图确定鞑靼刺绣的亚民族、亚忏悔特征,以及其他民族对其发展的影响。在缺乏对鞑靼刺绣的全面研究的情况下,有必要考虑到各种作者的出版物中积累的经验-文章,书籍章节和相册。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Tatar embroidery: on the historiography of the question
The article is devoted to the historiography of the study of Tatar people’s embroidery. The paper addresses the main directions in which the research was carried out; the characteristics of academic and popular-science works are given. It was discovered that the first publications about Tatar embroidery date back to the late 19th century. The subject has been developed up to the present. The history of the emergence of different types of Tatar embroidery, as suggested by scholars, and the depth of research have been analyzed. The conducted study provided an opportunity to systematise the corpus of various sources. The specific feature of the first publications about Tatar embroidery is a particular interest exclusively in handicraft products, which represents the most striking examples of folk art of that time. Later, the focus of scientific interest shifted to the classic samples of Kazan-Tatar embroidery. Starting from the expeditionary trips of the 1970–1980’s of the ethnographers from the Language of Literature and History Institute of the USSR Academy of Sciences Kazan Branch, as part of the scientific project “Historical and Ethnographic Atlas of the Tatar People,” materials were collected from major museums of the country, Tatar settlements in the Volga-Ural Region and from other regions of compact residence of an ethnic community. This research area has led to the problematisation of the issue of the diversity in areal technologies of Tatar embroidery. Authors addressed it when studying a certain type of embroidery and its origins, starting from the Middle Ages. Other researchers tried to identify sub-ethnic, sub-confessional features of Tatar embroidery, the influence of other peoples on its development. In the absence of a full-fledged study on Tatar embroidery, it is necessary to take into account the accumulated experience reflected in the publications of various authors – articles, sections of books, and albums.
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