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引用次数: 0
摘要
摘要:Carli Muñoz从他第一次阅读Aldous Huxley的《感知之门》开始,叙述了他的LSD之旅,作为The Living End的一部分的音乐生涯以及在波多黎各的生活。通过这种高度的状态,Muñoz展示了音乐体验如何改变和重新调整了20世纪60年代音乐家听音乐和作曲的方式。
Abstract: Beginning with his first reading of Aldous Huxley’s The Doors of Perception, Carli Muñoz recounts the various intersection of his LSD trips, musical career as part of The Living End, and life in Puerto Rico. Through this heightened state, Muñoz shows how the experience of music changed and readjusted the way musicians listened and composed music in the 1960s.
期刊介绍:
MR also has a history of significant criticism of W.E.B. Dubois and Nathaniel Hawthorne. An Egypt issue, published just after 9/11 on social, national, religious, and ethnic concerns, encouraged readers to look beyond stereotypes of terrorism and racism. As part of the run-up to its Fiftieth birthday, MR published a landmark issue on queer studies at the beginning of 2008 (Volume 49 Issue 1&2). The Winter issue was a commemoration of Grace Paley, which is going to be followed by an anniversary issue, art exhibition, and poetry reading in April of 2009.