模拟与数字:介于虚构与功能之间

Ranj Hikmat Mohammed, Naz Hakim Mohammed
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引用次数: 0

摘要

本研究集中于图像的模拟和数字再现,以及它们在我们的世界中的空间和时间关系,同时也集中于虚构化和功能化在这两个系统中的作用。在这篇文章中,模拟和数字艺术作品中的auratic价值问题发生在它们与(此时此地)的关系方面,因此,艺术作品中的此时此地问题决定了其时代的当代性,因此功能化(此时此地)被认为是本研究的主要内容。关于研究方法,研究需要分析(模拟和数字)艺术的再现,以提供两者在艺术界的明确位置。此外,从理论上比较了两种制度的异同。 从某种意义上说,功能化可以在模拟和数字世界中激活艺术品的(此时此地)。这也表明了一个事实,即功能化如何能够参与策展项目的整体概念的创造,使艺术品进入不可复制的状态。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Analogue and Digital: In Between Fiction and Function
This research concentrates on both analogue and digital reproduction of images, and their relations in space and time in our world, and it also focuses on the roles of fictionalisation and functionalisation in both systems.In this article, the question of auratic value within the analogue and digital artworks taken place in terms of their relations with (here and now), as a result the question of here and now in the work of art determines the contemporaneity of its era, therefore functionalising (here and now) considered as a main content of this inquiry. Regarding to the research methodology, the research requires analysing both (analogue and digital) reproduction of art, in order to provide clear positions of both in art world. Furthermore, the differences and similarities between both systems theoretically set in comparison. The research is concluded in a sense that functionalisation can activate the (here and now) of the artwork in analogue and digital world. It also indicates the fact that how functionalisation is able to participate in creating the concept of totality in curatorial project which puts the artworks into the state of irreproducibility.
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