1895-1900年诗人布宁的文学圈

IF 0.2 0 LITERATURE
Tatiana M. Dvinyatina
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引用次数: 0

摘要

本文追溯了伊万·布宁在其都市文学生涯的最初几年里,从1895年初他第一次访问莫斯科到他准备他的关键诗集《秋天》(1901)期间,他的诗歌圈形成的历史。在那些年里,布宁与高级象征主义者康斯坦丁·巴尔蒙特和瓦列里·布吕索夫建立了联系,结识了契诃夫和高尔基,并与亚历山大·费多罗夫、亚历山大·库普林和南俄罗斯艺术家协会的成员成为朋友,其中一些人影响了年轻的布宁的文学作品。到20世纪初,布宁与莫斯科文学圈建立了联系,随后加强了联系,其中包括来自各种运动的诗人和作家,以及“帕纳萨斯”协会,从1899年起更名为“星期三”,其中包括非象征主义倾向的诗人和作家,布宁的文学传记在其中取得了进展。本文特别关注了布宁诗歌与象征主义诗歌之间的相互影响和文本呼应,这在最近出版的布宁作品第一版全集的学术注释中必须考虑到。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Literary Circle of the Poet I.A. Bunin in 1895–1900
This article traces the history of the formation of Ivan Bunin’s poetic circle during the first years of his metropolitan literary career: from his first visit to Moscow in early 1895 to the time when he was preparing his key collection of poems, “Autumn” (1901). Those were the years when Bunin established contacts with the senior symbolists Konstantin Balmont and Valeriy Bryusov, made the acquaintance of Chekhov and Gorky and became friends with Aleksander Fedorov, Aleksander Kuprin and the members of the Fellowship of South Russian Artists, some of whom influenced the young Bunin’s literary work. By the beginning of the 1900s Bunin had formed links which subsequently strengthened with the Moscow Literary Circle, which included poets and writers from various movements, and the “Parnasus” association, which from 1899 was renamed “Wednesday” and included poets and writers of a non-symbolist tendency, among whom Bunin’s literary biography moved forward. Particular attention is paid in the article to the mutual influence between and textual echoes in Bunin’s poems and those of symbolists, which have to be taken into consideration in the scholarly annotations to the recently launched first complete edition of Bunin’s works.
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来源期刊
Studia Litterarum
Studia Litterarum LITERATURE-
CiteScore
0.20
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26
审稿时长
20 weeks
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