来自编辑

IF 1.2 0 FILM, RADIO, TELEVISION
Ted Nannicelli
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引用次数: 0

摘要

这是我两年来的第一次更新,为了给我们的作者和审稿人尽可能多的空间,我放弃了2022年的年度更新。2022年以特刊《电影的神经科学》开始,特刊由维托里奥·加莱斯和米歇尔·格拉客座编辑,随后的两期包括来自澳大利亚、加拿大、中国、丹麦、芬兰、荷兰、俄罗斯和美国的作者的原创研究文章和书评。我对我们杂志和我们的社会的研究和地理包容性感到鼓舞。我非常感谢我们的三位副编辑的努力,我想特别感谢Aaron Taylor作为书评编辑的工作——他的工作是特别关注那些对期刊和社会有共同兴趣但还没有参加会议、成为会员或提交手稿的同事。建立学科内部和跨学科的联系对于SCSMI和预测的持续成功至关重要,所以请:尽你所能通过循环电话,更新你的机构订阅等方式来传播这个信息。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
From the Editor
This update is my first in two years, having foregone my annual update in the 2022 volume to give as much space as possible to our authors and reviewers. The year 2022 began with a special issue, “The Neuroscience of Film,” guest edited by Vittorio Gallese and Michele Guerra, followed by two issues comprising original research articles and book reviews by authors based in Australia, Canada, China, Denmark, Finland, the Netherlands, Russia, and the United States. I am heartened by both the research and the geographical inclusivity of our journal and our society. I'm grateful to all three of our associate editors for their efforts, and I wish to offer special thanks to Aaron Taylor for his work as book review editor—a job he has taken up with a particular focus on outreach to colleagues who share the interests of the journal and society but have not yet attended a conference, become a member, or submitted a manuscript. Building connections within and across disciplines is crucial to the continued success of SCSMI and Projections , so please: do what you can to spread the word by circulating calls, renewing your institution's subscription, and the like.
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来源期刊
CiteScore
0.90
自引率
28.60%
发文量
18
期刊介绍: Projections: The Journal for Movies and Mind is an interdisciplinary, peer-reviewed journal that explores how the mind experiences, understands, and interprets the audiovisual and narrative structures of cinema and other visual media. Recognizing cinema as an art form, the journal aims to integrate established traditions of analyzing media aesthetics with current research into perception, cognition, and emotion, according to frameworks supplied by philosophy of mind, phenomenology, psychology, and the cognitive-and neurosciences. The journal seeks to facilitate a dialogue between scholars in these disciplines and bring the study of moving image media to the forefront of contemporary intellectual debate.
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