{"title":"来自编辑","authors":"Ted Nannicelli","doi":"10.3167/proj.2023.170101","DOIUrl":null,"url":null,"abstract":"This update is my first in two years, having foregone my annual update in the 2022 volume to give as much space as possible to our authors and reviewers. The year 2022 began with a special issue, “The Neuroscience of Film,” guest edited by Vittorio Gallese and Michele Guerra, followed by two issues comprising original research articles and book reviews by authors based in Australia, Canada, China, Denmark, Finland, the Netherlands, Russia, and the United States. I am heartened by both the research and the geographical inclusivity of our journal and our society. I'm grateful to all three of our associate editors for their efforts, and I wish to offer special thanks to Aaron Taylor for his work as book review editor—a job he has taken up with a particular focus on outreach to colleagues who share the interests of the journal and society but have not yet attended a conference, become a member, or submitted a manuscript. Building connections within and across disciplines is crucial to the continued success of SCSMI and Projections , so please: do what you can to spread the word by circulating calls, renewing your institution's subscription, and the like.","PeriodicalId":43599,"journal":{"name":"Projections-The Journal for Movies and Mind","volume":null,"pages":null},"PeriodicalIF":1.2000,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"From the Editor\",\"authors\":\"Ted Nannicelli\",\"doi\":\"10.3167/proj.2023.170101\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This update is my first in two years, having foregone my annual update in the 2022 volume to give as much space as possible to our authors and reviewers. The year 2022 began with a special issue, “The Neuroscience of Film,” guest edited by Vittorio Gallese and Michele Guerra, followed by two issues comprising original research articles and book reviews by authors based in Australia, Canada, China, Denmark, Finland, the Netherlands, Russia, and the United States. I am heartened by both the research and the geographical inclusivity of our journal and our society. I'm grateful to all three of our associate editors for their efforts, and I wish to offer special thanks to Aaron Taylor for his work as book review editor—a job he has taken up with a particular focus on outreach to colleagues who share the interests of the journal and society but have not yet attended a conference, become a member, or submitted a manuscript. Building connections within and across disciplines is crucial to the continued success of SCSMI and Projections , so please: do what you can to spread the word by circulating calls, renewing your institution's subscription, and the like.\",\"PeriodicalId\":43599,\"journal\":{\"name\":\"Projections-The Journal for Movies and Mind\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":1.2000,\"publicationDate\":\"2023-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Projections-The Journal for Movies and Mind\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3167/proj.2023.170101\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Projections-The Journal for Movies and Mind","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3167/proj.2023.170101","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
This update is my first in two years, having foregone my annual update in the 2022 volume to give as much space as possible to our authors and reviewers. The year 2022 began with a special issue, “The Neuroscience of Film,” guest edited by Vittorio Gallese and Michele Guerra, followed by two issues comprising original research articles and book reviews by authors based in Australia, Canada, China, Denmark, Finland, the Netherlands, Russia, and the United States. I am heartened by both the research and the geographical inclusivity of our journal and our society. I'm grateful to all three of our associate editors for their efforts, and I wish to offer special thanks to Aaron Taylor for his work as book review editor—a job he has taken up with a particular focus on outreach to colleagues who share the interests of the journal and society but have not yet attended a conference, become a member, or submitted a manuscript. Building connections within and across disciplines is crucial to the continued success of SCSMI and Projections , so please: do what you can to spread the word by circulating calls, renewing your institution's subscription, and the like.
期刊介绍:
Projections: The Journal for Movies and Mind is an interdisciplinary, peer-reviewed journal that explores how the mind experiences, understands, and interprets the audiovisual and narrative structures of cinema and other visual media. Recognizing cinema as an art form, the journal aims to integrate established traditions of analyzing media aesthetics with current research into perception, cognition, and emotion, according to frameworks supplied by philosophy of mind, phenomenology, psychology, and the cognitive-and neurosciences. The journal seeks to facilitate a dialogue between scholars in these disciplines and bring the study of moving image media to the forefront of contemporary intellectual debate.