体现视听场景

IF 1.2 0 FILM, RADIO, TELEVISION
Maarten Coëgnarts
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引用次数: 0

摘要

摘要本文提供了一种对电影中声音的具象认知解释。我们将声音和图像视为平等的伙伴,首先建立了基于容器图像图式推理逻辑的电影声音空间模型;一种被认为在人类推理中起关键作用的具身图式。接下来,我们使用这个模型来区分电影中的三种动态声音模式:(1)在叙事空间内跨越屏幕内外边界的声音向量,(2)从一个叙事时间和/或空间转移到另一个叙事时间和/或空间的声音向量,以及(3)跨越叙事/非叙事边界的声音向量。这些电影声音分析模式的理论内涵将通过叙事电影的各种案例来说明。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Embodying the Audiovisual Scene
Abstract This article provides an embodied cognitive account of sound in film. Treating sound and image as equal partners, we first develop a spatial model for film sound that is based on the inferential logic of the container image schema; an embodied schema which has been argued to play a pivotal role in human reasoning. Next, we use this model to distinguish between three kinds of dynamic sound patterns of containment in film: (1) sound vectors that cross the on-screen/off-screen border within diegetic space, (2) sound vectors that shift from one diegetic time and/or space into another, and (3) sound vectors that cross the diegetic/non-diegetic border. The theoretical entailments of these patterns for film sound analysis will be illustrated through various case examples of narrative cinema.
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来源期刊
CiteScore
0.90
自引率
28.60%
发文量
18
期刊介绍: Projections: The Journal for Movies and Mind is an interdisciplinary, peer-reviewed journal that explores how the mind experiences, understands, and interprets the audiovisual and narrative structures of cinema and other visual media. Recognizing cinema as an art form, the journal aims to integrate established traditions of analyzing media aesthetics with current research into perception, cognition, and emotion, according to frameworks supplied by philosophy of mind, phenomenology, psychology, and the cognitive-and neurosciences. The journal seeks to facilitate a dialogue between scholars in these disciplines and bring the study of moving image media to the forefront of contemporary intellectual debate.
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