斯里兰卡传统歌唱的特色

IF 1.2 4区 教育学 Q2 EDUCATION & EDUCATIONAL RESEARCH
Saman Panapitiya, Rohan Nethsinghe
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引用次数: 0

摘要

很明显,斯里兰卡音乐学家主要使用传统民间诗歌/诗句的含义和它们被演唱的场合来对它们进行分类。本文以僧伽罗民歌中的诗节“seepada”为研究对象,尝试根据其旋律/音高的特点,对其进行分类。作者解释了seepada的独特特征,即使用yathi和“Cents”(一种用于测量音程的对数单位)的概念,并揭示了这些特征,承认seepada是斯里兰卡特有的传统演唱风格。本文提出了维持这一衰落艺术形式的建议,包括利益相关者迫切需要采取行动,以保护斯里兰卡传统僧伽罗民歌、音乐和旋律的身份。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Distinctive Features of Traditional Singing in Sri Lanka
It is evident that Sri Lankan musicologists have mainly used the meanings of traditional folk poetry/verses and the occasions on which they are sung to categorize them. The authors of this paper attempt to introduce a classification that can be used according to the characteristics of the melody/pitches, focusing on seepada, currently only known as a poetic stanza in Sinhala folk songs. The authors explain the distinctive features of seepada identified employing yathi and the notion of ‘Cents’, a logarithmic unit used for measuring musical intervals, and reveal those characteristics, acknowledging seepada as a traditional singing style unique to Sri Lanka. Suggestions for sustaining this fading art form are presented in this article including the urgent need for action by stakeholders to preserve the identity of traditional Sinhala folk songs, music and melodies of Sri Lanka.
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来源期刊
CiteScore
3.40
自引率
7.10%
发文量
20
期刊介绍: The quarterly Journal of Research in Music Education comprises reports of original research related to music teaching and learning. The wide range of topics includes various aspects of music pedagogy, history, and philosophy, and addresses vocal, instrumental, and general music at all levels, from early childhood through adult.
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